ISI-COLLIN.

1878—.

TO THE MUSE.
Skilful the rune of symbols to unravel,
And mute avowals hearkened unawares,
Before the light from lips of flowers fares
With chosen petals I have strown the gravel.
She I awaited came not to the lawn,
And, solitary, I have chased all night
The lilac's and the lily's breath in flight,
And drunk it deeply in the brimful dawn.
Upon the sand these flowers that I have strown
My foot has crushed them down with cruel force,
And I am kneeling near the mirroring source,
Where I have sought her mouth and kissed mine own.
But now I know, and sing with fire renewed
Thy mercy, and thy beauty, and thy youth
Eternal, and I love thee without ruth,
Whom Sappho the divine and Virgil wooed.
I have all odours to perfume thee here,
And dyes for mouth and eyes, and I will make
Thy looks more luminous, and deep, and clear
Than the stainless azure bathing in this lake.
Come with thy too red lips and painted eyes!
My senses wait for thee in these bright bowers,
Where they are flowering with the soul of flowers,
O mother of fables and of lyric lies,
O courtesan! Come where these willows wave,
Lie by the water, I would have thee bare,
With nothing round thine ample shoulders save
All the sun's gold vibrating in thy hair.
A DREAM.
Dream of the far hours when
We were exiled beyond the pale
Of our happiness; draw again
Over our love that ancient veil.
Offer your lips to the evening breeze
That sings among the branches and passes,
Lay back your head on my knees,
Where the river the willow glasses.
Rest in my hands your head
Tired with the weight of the autumn in its tresses red,
And dream!
(A fabulous sunset bleeds
In the calm water wherein,
Among the reeds,
Our double shadow grows thin,
Bathed in the sunset's red,
And the radiant gold of your head.)
Dream of your virginal spirit's plight,
When I opened your robe in our wedding night.
(The noise of a wing that lags
Dies in the waterflags.
And the shadows which descend
With the afterglow,
Mysterious and slow,
Stay on the bank and o'er the waters bend
Their faces of silence.)
Dream of our love, of our joys,
And in the shadow sing them low;
At the rim of your naked lips
My voice shall ambush your voice.
(The moonbeams slow and white
Linger on the forest tops,
Fall and glide on the river they light,
And now a veil of radiance drops
On our protecting willow....)
Dream, this is the hour of snow.


JEAN DOMINIQUE.

1873—.

THOU WHOM THE SUMMER CROSSES, AS A FAWN.
Thou whom the summer crosses, as a fawn,
Red in the sun, through forest alleys springs,
My soul with the deep shadows round thee drawn,
Hast thou not seen the sad, blonde swarm of bees
Pass hanging on the eddies of the breeze,
Bearing on millions of exiguous wings
A little motionless and gilded queen?...
Hast thou not felt the orphan grace that starts
To life with life in any beast, and glows,
Tormented with enchantment, in the hearts
Of delicate fawns and simple eyes of does?...
My sylvan soul, so full of nests and warm,
Remembering thy flown birds with pangs how keen,
Shalt thou not ever, in parched summer's breath,
Hang like a humming heart and keep the swarm
Of gilded bees bearing their golden queen
Upon thine orphan heart more sad than death?...
And shalt thou ever of ecstatic nights,
And of the royal Summer crossing earth,
Know but the printed foot in amorous flights
Of the red fawn, and shadow-dappled mirth?...
Soul whom the Winter too shall cross ere long,
And, after, Passion's Spring as bindweeds strong,
More sad than death shall thou not ever seize
This little orphan, golden queen, in state
Borne round the world upon the eddying breeze
By many a thousand longings that vibrate?...
THE LEGEND OF SAINT URSULA.
Painted by Carpaccio.
The slender Ursula has decked her hair,
And her pale visage, and her trailing gown
With odorous collars and with shining pearls;
Her tapering hand the precious burden holds
Of a sheaf of delicately broken folds;
Her fragile temple bears the seal of God.
There comes to meet her, o'er the port's green wave,
A gallant pagan prince clad with gold hair,
And grace and love, and loveliness suave.
The maiden and the youth have mouths so grave,
That in the sleeping air on the lagoon
Already seem the harps of death to swoon....
Ursula, virgin, humble as blonde thatch,
Is earnest, and in costly raiment straight,
And like a kingdom taketh her the prince....
But she already knows love there is none!
But she already knows another youth,
The fairest archer of a lordly race,
Awaits her at another ocean's rim
To free her sovran soul to fly to God....
And yet she cometh, with her exquisite neck
Beaten by tresses garlanded with pearls,
And the golden youth who loves her with sad cheer
Hearkens approaching nigh his trembling heart,
Following her silent step, a host of wings!...
THE SOUL'S PROMISE.
If you can see my soul within my eyes,
I will be softer than a bed of down
For your fatigue to sigh in and to swoon;
I will be kinder to you and more sweet
Than after vain adieux returning soon,
And tenderer than a sky bedimmed with doves!
Ah! if you feel my heart rise in my eyes,
Like the sick perfume of the autumn rose,
If you will enter on my spirit's waste,
Upon whose stones no foot but yours shall sound,
If you will love my visions and my vows,
I will be more your kin than all your own!
Upon my soul's wild thyme and moss, and on
Its bare stones where the sun is wont to dance,
And in its wind with fire and solace laden,
In the whole desert of my crimson love,
I will immerse you in my honeycombs.
Ah! can you gaze into my blinding soul,
And know my heart has leapt into my eyes,
As the sling sends after the singing bird
A stone at the mysterious welkin thrown?...
If you will scan the desert of mine eyes,
O you will see what suffering immense,
And what vast joy and silence how divine,
When, from my soul's height I shall bear you at,
We shall feel rise in us the wondrous wave
Of scents of roses and the falling night!...
A SECRET.
I will put my two hands on my mouth, to hush
The words that, when I see you, to it rush.
I will put my two hands on mine eyes, lest you
Should in them find what I were fain you knew.
I will put them on my bosom, to conceal
That which might seem the desperate heart's appeal.
And I will put them gently into yours,
My two hands sick with grief that long endures....
And they shall come full of their tenderness,
Most silently, and even with no caress,
With the whole burden of a secret broken,
Of which my mouth, eyes, heart had gladly spoken.
Tired of being empty they to you shall come,
Heavy with sadness, sad with being dumb;
So desolate, discouraged, pale and frail,
That you may bend, perhaps, and see they ail! ...


MAX ELSKAMP.