The transcription of Missal or Service books was often made, not only for the great houses, but for the smaller ones, unable to maintain so large a staff, and then both “scriptorium” and cloister became a ceaseless centre of labour. Books were often lent from one monastery to another to be copied, and besides the actual staff, hired writers were also employed, thus rapidly developing the learning of those early times. Special grants of money were made to support this constant occupation—tithes and other aids procured the vellum, the ink, and the colours for the artist; thus, by degrees, came into existence those grand volumes which, despite time and decay, have survived to our day. The abbey chronicle and the abbot’s letters became one great monastic diary, each containing a record of events and customs which shadowed forth many a noted incident or rare tradition.
In the Christ Church letters, at Canterbury, we hear of Prior Chillenden’s love of building, and mention of the grey old walls of that city, portions of which are now standing, is found in this correspondence.
Truly can it be said, that the abbey and its literature grew together, that the annals of the one were the foundation stones of the other. The “Chronicle,” perhaps the most typical form of monastic work, gave expression to endless literary fragments, some, undoubted forgeries, as one scribe often copied the errors of a preceding writer. The lives of saints, and their legends, were lightly interwoven in this day-book of the religious house, and the famous miracles of Thomas á Becket, repeated in all their varying allurements, formed the staple theme for many a credulous monk.
On the other hand, the “Chronicle” recorded important events, especially the building of a noted minster, oratory, or shrine. Ingulphus treated of Croyland; William of Malmesbury, of Glastonbury; Gervase, the burning of Canterbury, and many like instances. In these volumes we often find allusions to the means used to raise money for building, and the curious customs arising out of this effort. When a cathedral wanted repair, the bishop selected from among his clergy a few preachers, and along with them a saint’s shrine, in which relics were enclosed and carried by young clerks in procession. On reaching a town, these relics were taken to the church and left on one of the altars, and those who could afford, threw their offerings on the same.
Processions to some noted spot formed another source of revenue, and the picturesque though fanciful custom of strewing the churchyard cross with boughs on Palm Sunday, may have been another of the quaint usages to attract the devotee to make his offerings.
Fairs, too, were held, sometimes in the very cathedral precincts, and mystery and miracle plays also combined to increase the funds required for a grand fabric, or village church. A leading feature in the archivist’s work were the bishop’s registers, to be found in every diocese, and varying greatly in their interest and contents. Those of Canterbury and York form a unique collection of church history, while others are models of exactness or statesmanlike precision.
As we turn over their pages, we recall the names of William of Wykeham (Bishop of Winchester), Bishop Alcock (Ely), Chichele, the munificent founder of All Souls’, Oxford, while among lesser dignitaries may be classed Abbot Islip, of Westminster, and John of Whethampstead, for St. Alban’s, whose registers and minute books betoken their care and knowledge, as “Supervisors” of the noble buildings under their charge. Perhaps the register of St. Osmund, Bishop of Salisbury (1078-1107), may fairly be taken to represent the idea of what is usually found to illustrate the growth, maintenance, and customs connected with those stately fabrics and minsters of our land. As St. Osmund was one of the prelate-architects, so to speak, and having much to do with the building of that cathedral, there are, naturally, endless allusions to antiquarian lore, indeed, his register can well be likened to a storehouse of local customs, and ecclesiological learning.
On one page is an account of the maintenance of Savernake forest, over which the Dean and chapter of Sarum had certain rights. On another, we find a description of the stones and ornaments for the church, while elsewhere are the charters for the bestowal of land, towards the endowment of canonries and other preferments, and to these last were attached seals of deep historical value.
This register may be taken then as the keystone to the annals of Sarum diocese, and what the keen inquirer finds in this as a typical book, may equally be said of several other episcopal archives. In their silent, though not less expressive, language, they have handed down those incidents on which hang the story of many an effort to build a costly shrine, a sculptured porch, or greater still, the minsters and abbeys which have made England of the past so rich an inheritance for us of to-day.
The fullest scope for the mediæval artist was found in the pictured chronicle, or the illuminated missal, that task on which painter and scribe devoted their best talents, and with this embellishment is interwoven many an old usage or fanciful legend.