For out of death comes life: the twain are one! (Text.)
(1799)
Life, Inward—See [Character More than Clothing].
LIFE LEARNED FROM DEATH
Prof. G. Currie Martin draws this suggestive picture:
In the gallery at The Hague there hangs a wonderful picture by Rembrandt. When the visitor first looks at it the horror that it inspires seems too great to be borne, for there, in the very forefront of the canvas, so that the spectator imagines he could touch it, is the grim and ghastly form of a corpse lying livid and rigid upon the dissecting-table. To add still further to the sense of shrinking it evokes, the scalpel of the surgeon has been thrust into the flesh, and he is laying bare the muscles of the arm. But if the visitor has only patience and courage for a moment to overcome the first sense of repulsion, he will find that he goes away from an examination of the picture thinking no longer of death and its terror, but of life and its power. For the skill of the artist is shown in so presenting the great and eternal contrast between death and life that the latter triumphs. Above the figure of the corpse are grouped the faces of the great scientists and physicians who, as they listen to the words of the lecturer, are drinking in the new-found knowledge that is to make them the conquerors of disease, and those portraits are so wonderfully painted that the spectator finds himself ever afterward thinking of the power of life that they manifest and of the greatness of human knowledge that has wrested the secrets from death itself which make life more powerful and safe. (Text.)
(1800)
Life-line, A—See [Ingenuity].
LIFE-LINE HYMN
A speaker at one of Evan Roberts’ remarkable revival services in Wales, was telling of a “vision” he had had, and of a voice which exhorted him to “Throw out the life-line,” when instantly the listeners sang the whole hymn together.