A traveler in Japan says that one day as he stood on the quay in Tokyo waiting for a steamer, he excited the attention of a coolie doing the work of a stevedore, who knew he was an American. As the coolie went by with his load, in his pigeon English he said, “Come buy cargo?” By which he meant, “Are you in Japan on business?” The man shook his head. The second time the coolie passed, he again asked, “Come look and see?” By which he meant to ask if the American were a tourist seeing the country. Receiving a negative reply, the next time he passed he tried one more question. “Spec’ die soon?” By which he meant to ask if the man was there for his health.
This the writer used to describe three different classes of people in the world. There is the young man who seems to be in the world for his health. They want to be coddled. There is the young man who seems to be in the world as a traveler. He wants to be amused. There are the young men who are in the world for business. They mean to do something and be somebody.—N. McGee Waters.
(1826)
Life Yet to Be—See [Future, The].
Life’s Furrow—See [Symbol of Life].
LIFE’S MELODY
A great pipe-organ has one or two thousand pipes. Some are twenty feet long, and large enough for a man to stand in, others are no bigger or longer than a common lead-pencil; some are made of wood, some of zinc, some of lead; and every one is set to make its own peculiar note. No pipe ever makes any other note than its own. But the organist is not limited to one tune. He can play any tune he may wish simply by changing the order of the notes which he sounds.
The laws of God’s world are fixt; but on that great organ He is master, and it obeys His will; and rest assured that He it is that is playing the melody of your life.—James M. Stifler, “The Fighting Saint.”
(1827)
LIFE’S TURNING TIDE