ACQUIESCENCE TO PROVIDENCE
Each branch of a vine is bound to a certain point of its wall or its conservatory. It is not growing just where and how it would spontaneously and naturally choose, but is affixt there contrary to its natural bent, in order that it may catch the sunbeams at that point and cover that spot with beautiful foliage and luscious fruit.
Sorrow is like the nail that compels the branch to grow in that direction; inevitable circumstance is like the rough strip of fiber which bends the branch, and pain is like the restraint which is suffered by the branch which would have liked to wander at its own will. We are not to murmur or repine at our lot in life, but are to remember that God has appointed it and placed us there. (Text.)
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ACQUISITION
An interesting side-light on the kind of men who attend the classes of the city evening technical schools was given by a commissioner of the Board of Education in a recent address to young men:
“I visited the forge-room” (said he), “where a class of twenty-five young blacksmiths were shaping and welding various models of iron bars and iron blades. It was an inspiring scene. No man, however indolent or indifferent to the world’s work, could have looked on without having his ambitions revived. The glowing metal yielded to the hammer blows of these youthful artizans, because interest in their work and a desire to become producers directed their bare and brawny arms. I walked about unnoticed. They felt no interest in commissioners of education. At one of the anvils I noticed a particularly fine, well-built young fellow. He was wholly absorbed in his work, so when I picked up the book he had partly hidden under his cap on his toolbench it did not attract his attention. What book do you think it was? Oh, no, not a treatise on tool-work in iron; that would have been fine. It was something even finer than that. The book was a copy of Vergil’s ‘Eneid’ and the marginal notes on the pages show that he was as ambitious to acquire a taste for good literature as for the possession of technical skill.”—New York Press.
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ACTING, ACTOR AFFECTED BY
The following remembrance of Henry Irving is given by his friend and associate Ellen Terry: