The storm that whirls among the mountains, the stoop of the whirlwind that wrenches the tree from its bed in the soil, the utmost rage of oceanic commotions—they have not that dominant power upon them to start our spirits, and carry our sympathies to an equal agitation, which eloquence has when it utters the force of one aroused soul.—Richard S. Storrs.
(893)
See [Age and Oratory]; [Earnestness]; [Lord’s Prayer Interpreted].
Eloquence of Deeds—See [Deeds That Talk].
EMANCIPATION
Every artist who works upon his canvas or upon the stone, or rears up stately fabrics, expressing something nobler to men, giving some form to their ideals and aspirations—every such man also is working for the largeness and so for the liberty of men. And every mother who sits by the cradle, singing to her babe the song which the angels sing all the way up to the very throne, she, too, is God’s priestess, and is working for the largeness of men, and so for their liberty. Whoever teaches men to be truthful, to be virtuous, to be enterprising; in short, whoever teaches manhood, emancipates men.—Henry Ward Beecher.
(894)
Embarrassment—See [Fear of Man].
EMBELLISHMENT OF PREACHING
The Telugus often embellish their sermons to an extent inconceivably funny. A smart young preacher, a graduate of Ramapatam Seminary, in telling of the resurrection of Lazarus, said that he arose from the dead when called, tied his clothing about him (the Hindu’s idea of dressing), put on a beautiful head-cloth, raised an umbrella, and came walking out of the tomb. The force of the climax would appeal to any one who lived in India. An umbrella is such a sign of distinction that people who own one often carry it open in the night even tho there has been no rain for six months.