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ASSOCIATION, LEARNING BY
A gentleman had in his bird-room a deformed blue jay, who was reared from the nest and never associated with his kind. In the room was also a cardinal grosbeak, one of the finest singers of his family. The young blue jay learned the song of the cardinal so perfectly that the gentleman could not tell it from the cardinal’s own. “Even when hearing the two performers almost together, I could distinguish only a slight difference, which was not in the cardinal’s favor.”—Olive Thorne Miller, “The Bird Our Brother.”
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ASSOCIATIONS MOLD MEN
Among the doctrines of Belial is the theory that we must familiarize ourselves with evil if we would have power to resist it.
Jean François Millet in the middle of the last century was engaged on his early pictures. As they appeared one after another they astonished and delighted all lovers of art throughout the world. What were the subjects of these wonderful paintings? They were all deeply religious—the “Angelus,” the “Sower,” the “Man with the Hoe,” the “Winnower,” the “Gleaners.” These masterpieces were not only spiritual, but were replete with beauty, pathos, power, and with all the works of the highest genius. Now, the theory had been popular that an artist must revel in fleshly and voluptuous presentations of life. But Millet hated the salaciousness of Greece, and Rome was abhorrent to him. He was a lifelong lover of his Bible, and his life was one of devotion and purity. (Text.)
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ASSURANCE
Among the Hebrews is preserved a legend of two sisters, who on the night of the Exodus, when the destroying angel passed through the land of Egypt, remained indoors with the family.