And so must he roam, Ebbe Skammelson,

The wild ways of the land!

—Therefore roams Ebbe Skammelson so many a lonely way.

XII, XIII
OH, SEVENTY-SEVEN TWICE-TOLD WERE THEY
HOLGER DANSKE AND STOUT DIDRIK

These Ballads are two of a large group celebrating popular legendary heroes. Those concerned with Didrik—all jovial ones with happy endings—were adapted or translated from the work of the wandering German minstrels known as the “Saxon Singers,” who visited Denmark during the time of Knud Lavard and Sven Grade (1131-57). Part of this poetry, moreover, apparently trickled into Scandinavia by circuitous routes, since a lengthy “Didrikssaga” was composed during the thirteenth century at Bergen.

There are those who consider Didrik as a mere Mrs. Harris, and derive his name from the vague appellation þioðreke = folk-king. But most authorities believe that he had a flesh-and-blood original in Theoderic, King of the East Goths, and conqueror of Italy, whose royal seat was at “Bern,” i. e. Verona. Be that as it may, this kingly shade enlisted his champions among the most august phantoms of the North. Sivord Snarensvend, for example, is no less a personage than Sigurd Fafnirsbane; while Helled Haagen is Hogne the Hero, Sigurd’s slayer. Raadengaard may (or may not) be the Hrothgar of “Beowulf,” and the “Sir Aldingar” of British ballad. Most of the other figures may be pursued through the mazes of legend; but Falkvor the Fiddler is a creation of the “fiddling” minstrel’s; and he or his translator inserted Tetlev Danske as a compliment to the Danes.

As for Holger Danske, he is the French hero Ogier le Danois, originally one of Charlemagne’s champions, who fought for Christendom against the infidel. The oldest Danish ballad of Holger describes his victory over Burmand, an amorous Troll, who would fain carry off the Lady Gloriant, the King of Hungary’s daughter, from her rightful lover King Karvel. This chivalrous deed of Holger’s captivated the popular fancy, which adopted him henceforth as national hero, crowned him with the “red, red gold” and pictured him as defending Denmark against the power of the German Empire, personified in the giants Sverting and Bermer-Ris. “Holger Danske and Stout Didrik may,” says Olrik, “be considered Denmark’s first patriotic song.”

Verses 4 and 5 find a parallel in “The Battle of Otterburn” (English version).

“Up spake a berne upon the bent