So the foolish monk knelt down, and devoutly sung out an ave. “Amen!” said Sir Roger, devoutly.
“Amen!” said Mercurius, as, suddenly, coming behind, he seized Ignatius by his long beard, and flew up with him to the top of the church-steeple.
The monk roared, and screamed, and swore against his brother; but it was of no avail: Sir Roger smiled kindly on him, and said, “Do not fret, brother; it must have come to this in a year or two.”
And he flew alongside of Mercurius to the steeple-top: but this time the devil had not his tail round his neck. “I will let thee off thy bet,” said he to the demon; for he could afford, now, to be generous.
“I believe, my lord,” said the demon, politely, “that our ways separate here.” Sir Roger sailed gaily upwards: while Mercurius having bound the miserable monk faster than ever, he sunk downwards to earth, and perhaps lower. Ignatius was heard roaring and screaming as the devil dashed him against the iron spikes and buttresses of the church.
THE PAINTER’S BARGAIN
BY WILLIAM MAKEPEACE THACKERAY[Notes]
Simon Gambouge was the son of Solomon Gambouge; and as all the world knows, both father and son were astonishingly clever fellows at their profession. Solomon painted landscapes, which nobody bought; and Simon took a higher line, and painted portraits to admiration, only nobody came to sit to him.
As he was not gaining five pounds a year by his profession, and had arrived at the age of twenty, at least, Simon determined to better himself by taking a wife,—a plan which a number of other wise men adopt, in similar years and circumstances. So Simon prevailed upon a butcher’s daughter (to whom he owed considerable for cutlets) to quit the meat-shop and follow him. Griskinissa—such was the fair creature’s name—“was as lovely a bit of mutton,” her father said, “as ever a man would wish to stick a knife into.” She had sat to the painter for all sorts of characters; and the curious who possess any of Gambouge’s pictures will see her as Venus, Minerva, Madonna, and in numberless other characters: Portrait of a lady—Griskinissa; Sleeping Nymph—Griskinissa, without a rag of clothes, lying in a forest; Maternal Solicitude—Griskinissa again, with young Master Gambouge, who was by this time the offspring of their affections.
The lady brought the painter a handsome little fortune of a couple of hundred pounds; and as long as this sum lasted no woman could be more lovely or loving. But want began speedily to attack their little household; baker’s bills were unpaid; rent was due, and the reckless landlord gave no quarter; and, to crown the whole, her father, unnatural butcher! suddenly stopped the supplies of mutton-chops; and swore that his daughter, and the dauber, her husband, should have no more of his wares. At first they embraced tenderly, and, kissing and crying over their little infant, vowed to heaven that they would do without: but in the course of the evening Griskinissa grew peckish, and poor Simon pawned his best coat.