You may present several flowers, and let the person choose any one of them. In this case, while he is burning the flower, you fetch the box from another apartment, and at the same time put in a corresponding flower, which will make the experiment still more surprising.
Imitative Fire-works.
Take a paper that is blacked on both sides, or instead of black, the paper may be coloured on each side with a deep blue, which will be still better for such as are to be seen through transparent papers. It must be of a proper size for the figure you intend to exhibit. In this paper cut out with a penknife several spaces, and with a piercer make a number of holes, rather long than round, and at no regular distance from each other.
To represent revolving pyramids and globes, the paper must be cut through with a penknife, and the space cut out between each spiral should be three or four times as wide as the spirals themselves. You must observe to cut them so that the pyramid or globe may appear to turn on its axis. The columns that are represented in pieces of architecture, or in jets of fire, must be cut in the same manner, if they are to be represented as turning on their axis.
In like manner may be exhibited a great variety of ornaments, ciphers, and medallions, which, when properly coloured, cannot fail of producing the most pleasing effect. There should not be a very great diversity of colours, as they would not produce the most agreeable appearance.
When these pieces are drawn on a large scale, the architecture or ornaments may be shaded; and, to represent different shades, pieces of coloured paper must be pasted over each other, which will produce an effect that would not be expected from transparent paintings. Five or six pieces of paper pasted over each other will be sufficient to represent the strongest shades.
To give these pieces the different motions they require, you must first consider the nature of each piece; if, for example, you have cut out the figure of the sun, or of a star, you must construct a wire wheel of the same diameter with these pieces; over this wheel you paste a very thin paper, on which is drawn, with black ink, the spiral figure. The wheel thus prepared, is to be placed behind the sun or star, in such a manner that its axis may be exactly opposite the centre of either of these figures. This wheel may be turned by any method you think proper.
Now, the wheel being placed directly behind the sun, for example, and very near to it, is to be turned regularly round, and strongly illuminated by candles placed behind it. The lines that form the spiral will then appear, through the spaces cut out from the sun, to proceed from its centre to its circumference, and will resemble sparks of fire that incessantly succeed each other. The same effect will be produced by the star or by any other figure where the fire is not to appear as proceeding from the circumference of the centre.
These two pieces, as well as those that follow, may be of any size, provided you observe the proportion between the parts of the figure and the spiral, which must be wider in larger figures than in small. If the sun, for example, have from six to twelve inches diameter, the width of the strokes that form the spiral need not be more than one-twentieth part of an inch, and the spaces between them, that form transparent parts, about two-tenths of an inch. If the sun be two feet diameter, the strokes should be one-eighth of an inch, and the space between, one quarter of an inch; and if the figure be six feet diameter, the strokes should be one quarter of an inch and the spaces five-twelfths of an inch. These pieces have a pleasing effect, when represented of a small size, but the deception is more striking when they are of large dimensions.
It will be proper to place those pieces, when of a small size, in a box quite closed on every side, that none of the light may be diffused in the chamber: for which purpose it will be convenient to have a tin door behind the box, to which the candlesticks may be soldered, and the candles more easily lighted.