[17]. Langum hown.
[30]. thou mayst sune.
HUGHIE GRAHAM.
Of the two editions of this ballad which follow, the first is taken from The Scots Musical Museum (p. 312), to which it was contributed by Burns. Burns states that he obtained his copy from oral tradition in Ayrshire, but he had certainly retouched several stanzas (the ninth and tenth, says Cromek), and the third and eighth are entirely of his composition.
The other copy is from the Border Minstrelsy, and consists of a version "long current in Selkirkshire" (procured for Scott by Mr. William Laidlaw), which also has been slightly improved by the pen of the editor.
[In the Appendix] we have placed the story as it occurs in Durfey's Pills to purge Melancholy, and in Ritson's Ancient Songs. The seventeenth volume of the Percy Society Publications furnishes us with a Scottish version in which Sir Hugh is rescued and sent over the sea: Scottish Traditional Versions of Ancient Ballads, p. 73. These, we believe, are all the published forms of this ballad, unless we mention Mr. Allan Cunningham's réchauffé of Burns, in his Songs of Scotland, i. 327.
"According to tradition," says Mr. Stenhouse, "Robert Aldridge, Bishop of Carlisle, about the year 1560, seduced the wife of Hugh Graham, one of those bold and predatory chiefs who so long inhabited what was called the Debatable Land, on the English and
Scottish border. Graham, being unable to bring so powerful a prelate to justice, in revenge made an excursion into Cumberland, and carried off inter alia, a fine mare belonging to the bishop (!) but being closely pursued by Sir John Scroope, warden of Carlisle, with a party on horseback, was apprehended near Solway Moss, and carried to Carlisle, where he was tried and convicted of felony. Great intercessions were made to save his life; but the bishop, it is said, being determined to remove the chief obstacle to his guilty passions, remained inexorable, and poor Graham fell a victim to his own indiscretion and his wife's infidelity. Anthony Wood observes that there were many changes in this prelate's time, both in church and state, but that he retained his offices and preferments during them all."—Musical Museum, iv. 297.