Of Chaucer’s characters, as described in his Canterbury Tales, some of the names or titles are altered by time, but the characters themselves for ever remain unaltered; and consequently they are the physiognomies or lineaments of universal human life, beyond which Nature never steps. Names alter, things never alter. I have known multitudes of those who would have been monks in the age of monkery, who in this deistical age are deists. As Newton numbered the stars, and as Linnaeus numbered the plants, so Chaucer numbered the classes of men.
The Painter has consequently varied the heads and forms of his personages into all Nature’s varieties; the horses he has also varied to accord to their riders; the costume is correct according to authentic monuments.
The Knight and Squire with the Squire’s Yeoman lead the Procession, as Chaucer has also placed them first in his Prologue. The Knight is a true Hero, a good, great and wise man; his whole-length portrait on horseback, as written by Chaucer, cannot be surpassed. He has spent his life in the field, has ever been a conqueror, and is that species of character which in every age stands as the guardian of man against the oppressor. His son is like him, with the germ of perhaps greater perfection still, as he blends literature and the arts with his warlike studies. Their dress and their horses are of the first rate, without ostentation, and with all the true grandeur that unaffected simplicity when in high rank always displays. The Squire’s Yeoman is also a great character, a man perfectly knowing in his profession:
And in his hand he bare a mighty bow.
Chaucer describes here a mighty man, one who in war is the worthy attendant on noble heroes.
The Prioress follows these with her female Chaplain:
Another Nonne also with her had she,
That was her Chaplaine, and Priests three.
This Lady is described also as of the first rank, rich and honoured. She has certain peculiarities and little delicate affectations, not unbecoming in her, being accompanied with what is truly grand and really polite; her person and face Chaucer has described with minuteness; it is very elegant, and was the beauty of our ancestors till after Elizabeth’s time, when voluptuousness and folly began to be accounted beautiful.
Her companion and her three Priests were no doubt all perfectly delineated in those parts of Chaucer’s work which are now lost; we ought to suppose them suitable attendants on rank and fashion.
The Monk follows these with the Friar. The Painter has also grouped with these the Pardoner and the Sompnour and the Manciple, and has here also introduced one of the rich citizens of London—characters likely to ride in company, all being above the common rank in life, or attendants on those who were so.