"We were not born crooked, we learnt these Windings and Turnings of the Serpent."
I remember to have heard this Passage admired by several People: but who does not see that the Motions, viz. the Windings and Turnings of the Serpent's Body are here confounded with those of its Heart: and that at best, 'tis but a mere Point and Pleasantry.
Certainly there's a great Impropriety in putting any kind of Smartness into Pieces of such a Nature as Dr. South's; but what is still worse, we generally find these Smartnesses to be quite vague and superficial; they don't enter, but only play upon the Surface of the Soul.
Had a certain polite Author been a Cotemporary of the Doctor's, he'd have told him that
Humour is the only Test of Gravity; and Gravity of Humour. For a Subject which will not bear Raillery, is suspicious; and a Jest which will not bear a serious Examination, is certainly false Wit.
These Sports of the Imagination, these Finesses, these Conceits, these glittering Strokes, these Gaieties, these little cut Sentences, these ingenious Prodigalities, which are lavished away in our Times, agree with none but little Works. The Front of St Paul's Church is simple and majestick. A Cabinet may with Propriety enough contain little Ornaments. Have as much Wit as you will, or you can, in a Madrigal, in little light Verses, in the Scene of a Comedy, which is neither passionate or simple, in a Compliment, in a little Story, in a Letter where you would be merry yourself to make your Friends so.
Spencer was very well acquainted with this Art. In his Fairy Queen, you find hardly any thing but what is sublime and full of Imagery: but in his detached Pieces, such as the Hymn in Honour of Beauty, The Fate of the Butterfly, Britain's Ida, &c. he gave a Loose to his Wit and Delicacy. The following Verses are Part of the Description of Venus asleep, in the last mention'd Poem:
Her full large Eyes, in jetty-black array'd,
Proud Beauty not confin'd to red and white,
But oft herself in black more rich display'd;
Both Contraries did yet themselves unite,
To make one Beauty in different Delight:
A thousand Loves, sate playing in each Eye,
And smiling Mirth kissing fair Courtesy,
By sweet Persuasion won a bloodless Victory.
Her Lips most happy each in other's Kisses,
From their so wish'd Imbracements seldom parted,
Yet seem'd to blush at such their wanton Blisses;
But when sweet Words their joining Sweets disparted,
To the Ear a dainty Musick they imparted;
Upon them fitly sate delightful Smiling,
A thousand Souls with pleasing Stealth beguiling:
Ah that such shews of Joys shou'd be all Joys exiling!
Lower two Breasts stand all their Beauties bearing,
Two Breasts as smooth and soft;—but oh alas!
Their smoothest Softness far exceeds comparing:
More smooth and soft—but naught that ever was,
Where they are first, deserves the second Place:
Yet each as soft, and each as smooth as other;
But when thou first try'st one, and then the other,
Each softer seems than each, and each than each seems smoother.
These Lines (pretty as they are) would be unsufferable in a large and serious Work, nay, there are some People who tax them with being too extravagant even for the Poem where they stand; and in truth, their warmest Admirer can say no more than this: