It must not be imagined, however, that a bowler should always deliver the same style of ball. Many a wicket (paradoxical as it may seem) falls from a ball that is not straight. A batsman who has had a hit to leg for four, becomes at once anxious to get another. Very often, if a bowler pitches the ball in a different manner, the batsman endeavours to give another specimen of his favourite hit, and equally often loses his wicket. Practise, therefore, change of pace and pitch, as catches are almost sure at some time to be the result.
Nyren, one of the earliest writers on Cricket, speaks of this plan in the following manner:—
“When it is difficult to part two batsmen, and either of them has a favourite hit, I have often succeeded in getting him out by opening the field where his hit is placed, at the same time hinting to the bowler to give him a different style of ball. This, with the opening of the field, has tempted him to plant his favourite hit, and in his anxiety to do so he has not unfrequently committed an error fatal to him.”
In writing of round-arm bowling let us recommend young bowlers to practise bowling over the wicket in preference to what is usually termed round or outside it. The former plan is the only mode that necessitates straight bowling, since, from the position of the arm, the ball may be straight all the way, whereas, in the latter, the ball must come in from the leg side. Again, it will be recollected that in the late discussion about leg before wicket, many of the best judges gave it as their opinion that the batsman could not be given out l. b. w. unless the ball was delivered over the wicket. To these advantages may be added the fact that a much better view of the opponent’s stumps can be obtained, and that the distance is also shorter than from the outside of the wicket.
Among the most common faults of young players may be cited a habit of not pitching the ball far enough. This is mainly owing to a want of power in the arms, but still a little careful practice will considerably assist the player. Those nice specimens of bowling known as bailers, when the bail is knocked off, can only be obtained by a ball that is well pitched up. Shooters, also, are the result of balls that touch the ground near the wicket. We may also add that a ball that is pitched short is easy to play, since it can be seen well, and its coming in contact with the ground deadens its force and checks its speed.
Another practice which is often condemned is a habit of bowling fast. Now, it is a great mistake to imagine that fast bowling is the most difficult to play, as may be ascertained by the fact that our fastest bowlers by no means take the most wickets, excepting Jackson, whose bowling, however, is not so successful now as it was at one time. Fast bowling does not so readily allow accuracy of pitch as a slower style; besides, a fast bowler soon gets tired, then bowls loosely, and then gets taken off. Those tips (for they are nothing else) to the slips for four or five, are more the result of the bowler than the batsman. Let us, therefore, earnestly recommend young bowlers to begin bowling slowly, and to increase their pace as they grow older and stronger. Many a promising bowler has been irretrievably spoilt by beginning to bowl too fast for his strength, and finding in a short time that he has no style at all, and that the fruit of his labour is principally found in the number of byes scored off him.
Particular care must also be taken to avoid bowling over the shoulder. It is a pity that there is not some more stringent rule than at present exists with regard to [law 10], although in such a case the most successful bowlers would find their occupation gone; besides, as the no-balling of a bowler by an umpire usually causes the greatest unpleasantness in a match, spoiling the amicable feeling which almost invariably exists in the cricket-field, it is much better to avoid the head and front of the offending, by practising the best means to prevent the arm getting over the shoulder. We recollect at school a big sturdy fellow, who, not content with bowling over his shoulder, delivered the ball always as fast as he could. His bowling, however, (as might be expected) was so loose that his services were never called into requisition at a match; but at practice he occasionally handled the ball, much to the dread of the batsman he opposed. One day he was bowling against the present writer in his usual headstrong style, and actually sent a ball over the wicket-keeper’s head into long-stop’s hands. This naturally frightened us, as we thought it just possible that the next might hit us on the chest. A narrow escape we had, for the very next was pitched so high, that, had we not quickly dropped on the ground, it would have hit us on the head with such force as probably to stop cricket with us for ever.
Our remarks on underhand bowling, or slows, must necessarily be brief. That good slows are effective, particularly against county twenty-twos, is proved by the analysis of R. C. Tinley’s bowling, and the destructive power of Mr. V. E. Walker’s slows is well known to most of those who have played against him.
It is often a good plan to begin with a fast bowler at one end and slows at the other. The change of pace and delivery is very puzzling to the batsman, who is compelled to play the two styles on a different plan. If, however, a slow bowler is hit about much, he should be changed at once, as the hits from slows generally add up quicker than those from round-arm.
If change of pitch is advantageous in the swift bowling, it is the very soul of slows. Full pitches, leg balls, off balls, shooters, all styles and forms, should be allowed full play. The bowler, too, must dodge about, and make himself an extra field, going wherever he imagines the ball will be hit. In writing about slows we cannot pass unmentioned the great advantage derived from making a ball twist in from the leg. It is always understood that the leg stump is the hardest to defend, and consequently the best to attack.