The swans of Western Australia, repeated in such variety of colour, ever attract attention; as do the keys of Bremen, the castles of Hamburg, the compounds of mysterious Bergedorf, the eagles of Lubeck, the quaint emissions of the Argentine Confederation, and the crossed keys and tiara of the Papal States, after the eye is wearied by the incessant array of heads and armorial bearings exhibited by the majority of stamp-emitting countries.
The adhesives of the kingdoms once composing the Two Sicilies are both equally remarkable; that of Naples for its singularity, that of Sicily from its peculiar boldness of design and rich colouring.
The first stamps of Luxembourg, those of the Dutch East Indies, and Holland, exhibit marvellous variations in the portraiture of one and the same individual sovereign.
The marketable value of a postage stamp for collections does not, however, by any means, depend upon its beauty or deformity. The greater portion of the more attractive in appearance are purchasable at a very low figure: the most beautiful of all, the Nova Scotian black profile, can be had at its natal place for one cent, or an English halfpenny. The circular specimen of meagre ugliness below may be worth a couple of sovereigns, even when cancelled; a moderately well-stored juvenile album could be purchased for the price of an unused specimen, were such existing, which we strongly doubt. That of Romagna and the early Van Diemen’s Land are little better.
