We recognize in these products of the present time the possibilities of a great musical advance for Italy. The younger composers, unlike their predecessors, have zealously studied the technique of composition with truly international breadth of interest. It is also to be noted that this same generation has completely freed itself from the idolatrous worship of Wagner. Those phases of Wagner's genius which should not be imitated have been shunned, and the Italians have turned to the passionately melodious song-phrase, which is truly characteristic of their nature. They have returned, in a word, to their own feelings and their own inspirations, as well as to their own belief in the power of rapid stage action. Although elaborate musical workmanship has never been a prominent feature of Italian composers, much has nevertheless been done in later years to improve matters in this respect. There is therefore reason to hope, that, if once the system of musical education can be founded on a solid basis, the most gratifying results may follow in Italian music of the future. The inhabitants of the Apennine peninsula, with their sensuous nature, their musical language, and their overflowing love for singing and music in general, must perforce continue to cultivate an art without which their life as a nation would be incomplete.
JOHANN SEBASTIAN BACH
Reproduction of a steel engraving by Sichling, after an oil portrait by Haussmann, in 1746.
