"Who said 'death'?" I asked, startled.
"Death," echoed a voice, softly.
I sprang up and looked about. Lys rose too, her needles and embroidery falling to the floor. She seemed about to faint, leaning heavily on me, and I led her to the window and opened it a little way to give her air. As I did so the chain lightning split the zenith, the thunder crashed, and a sheet of rain swept into the room, driving with it something that fluttered—something that flapped, and squeaked, and beat upon the rug with soft, moist wings.
We bent over it together, Lys clinging to me, and we saw that it was a death's-head moth drenched with rain.
The dark day passed slowly as we sat beside the fire, hand in hand, her head against my breast, speaking of sorrow and mystery and death. For Lys believed that there were things on earth that none might understand, things that must be nameless forever and ever, until God rolls up the scroll of life and all is ended. We spoke of hope and fear and faith, and the mystery of the saints; we spoke of the beginning and the end, of the shadow of sin, of omens, and of love. The moth still lay on the floor quivering its somber wings in the warmth of the fire, the skull and ribs clearly etched upon its neck and body.
"If it is a messenger of death to this house," I said, "why should we fear, Lys?"
"Death should be welcome to those who love God," murmured Lys, and she drew the cross from her breast and kissed it.
"The moth might die if I threw it out into the storm," I said after a silence.
"Let it remain," sighed Lys.
Late that night my wife lay sleeping, and I sat beside her bed and read in the Chronicle of Jacques Sorgue. I shaded the candle, but Lys grew restless, and finally I took the book down into the morning room, where the ashes of the fire rustled and whitened on the hearth.