Booth Tarkington: Of course writing in the first person is infinitely easier. (That's one reason it should rarely be done.) The reason that writing in the first person is easier is this: The writing is supposed to be done by a fictitious person; the author, therefore, does not feel so responsible, himself, for the "quality of his prose."

W. C. Tuttle: A great majority of my stories have been written in the first person. In fact, I began writing that way because I could tell a story better than I could write one, and because, in the first person, there are fewer threads to carry. Characterizations are easier to depict in the third person, I believe, except in a humorous story, when I would rather describe a character in the first person.

Lucille Van Slyke: Third person. Because it seems to me that not one person in a thousand can successfully keep up the illusion of being another person very long. First person writing is a sort of lie as soon as it leaves personal experience behind, and most of us do not have a great many thrilling experiences personally. (I happen to adore writing in second person and do a great deal of that for sheer amusement. I wouldn't be so silly as to submit it to any editor, for I am aware of the well-known aversion to it—but, admitting that it presupposes a highly imaginative reader, think what fun it is for both writer and reader. I have been awfully interested in Louise Dutton's stories about an adolescent girl in which she uses second person a great deal but lapses to third—or indirect discourse—so often that she much breaks her continuity which makes me feel as though I were jumping in and out of a Punch and Judy box—I love the minutes I'm being Judy but get rather mixed when I am trying to be Punch!)

Atreus von Schrader: I prefer writing in the third person, because I believe the use of the first person distracts, nearly always, from the illusion of reality. Nine times out of ten the first person is used because it is easier, and for no other reason.

T. Von Ziekursch: Have no choice.

Henry Kitchell Webster: I seldom write in the first person, but there is a certain kind of story where the mechanical advantages it offers are great enough to more than compensate for its limitations.

G. A. Wells: I prefer writing in the first person, though seldom do so because I am not enough the craftsman to subdue my egotism. I like first person better because I get closer to the story. It is the personal equation. When one writes first person he goes on the stage and acts; no matter how large or small his part, he is in the show. In the third person he sits with the audience and merely records what happens. His readers have the same advantages he has and he can't show a superior air. I often write a story in the first person, and when finished strike out the big "I's" and substitute the name of the principal character. That way I get direct contact with the story.

William Wells: Third. Too darned bashful; seems like bragging.

Ben Ames Williams: I prefer writing in the manner best calculated to produce the effect I desire. This is a technical question, to be answered differently in different cases.

Honore Willsie: I prefer third-person writing, for, while it is more difficult than first-person writing, it is less apt to have an egotistical effect on the reader.