Applications for permissions to produce Louise must be addressed to
Pierre Loving, 240 W. 4.
LOUISE
A Play
By J. H. Speenhoff
[Scene: A large fashionably appointed room with few decorations on the walls. The latter are papered in yellow with large black lilies. To the right, a tall broad window with heavy brown curtains. To the left, an old gold harp with a little footstool. Behind, to the right, a door with brown portières, affording a view of a vestibule and banister. To the left, down front, a broad couch with black head cushions. Next to it the end of a heavy broad oaken table, with the side turned toward the couch. Behind, the back wall has an open chimney with carved wood and ornaments on it. Beside the chimney, on both sides, are two large comfortable chairs and two others by the table and window respectively. On the table are the remains of breakfast: fruit glasses and two empty champagne bottles.
As the curtain rises Louise is discovered lying on the couch with her feet extended toward the audience. She lies quietly and gazes blankly in the distance. Closer scrutiny reveals that she is in the last stage of intoxication. On the whole, it is rather a lady-like inebriety and expresses itself now and again by way of a heavy sigh, looseness of limb, a languid flutter of the eyelids and a disposition to be humorous. It is about three in the afternoon. As for the tone of the room, there are a lot of yellows, blacks and browns; the light is quite subdued. Soon after the rise of the curtain, Louise begins slowly and dreamily to hum a melody. She stops for a while, gazes blankly around and starts humming again. Then she raises herself, crosses her arms on the tables and rests her head on them. Her hair is loosely arranged—or disarranged. Her dressing gown is black and white.
A bell is rung downstairs. Louise does not seem to hear it. Another ting-a-ling. You can hear the maid going downstairs. The door opens and shuts. Two pairs of feet are heard climbing the stairs. The maid parts the portières, shows Van der Elst in and points Louise out to him, meanwhile remaining discreetly behind the portières.
The truth is that Sophie is very much embarrassed. She looks as if she has been called away from her proper duties. She is a healthy maid, with tousled blond hair, cotton dress, blue apron, maid's cap and is in her stocking feet. She goes toward Louise, then stops confusedly at a little distance from her. She moves a chair needlessly, in timid embarrassment, and wipes her lips with her apron.]
Sophie. Here's a gentleman to see you—to see—you, madam.