“All right,” says Juan, getting up. He goes to the fireplace and thinks for a little while. Then he jumps up to the rafters of the ceiling, which are but two feet above his head. He goes just above the pot, adjusts his feet very well, and then lets himself fall. The pot is broken to pieces. The old woman wakes up at the noise of the crash, and says, “What is that, Juan? Is the rice cooked?”
“Why do you ask me that?” says Juan impatiently. “You told me to step on the pot, and now you ask me if the rice is cooked!”
She goes out to the kitchen; and when she sees her broken pot, the old woman becomes truly angry. She drives Juan from the house, telling him that he cannot live with her any more because he is too troublesome.
Juan now goes off, and wanders from town to town. Sometimes he is obliged to work in order to get anything to eat. Finally he comes to a large town where the people wear shoes and carry umbrellas. He becomes enchanted with the shoes and umbrellas: so he works hard, and saves enough money to buy both. But he surprises every one who sees him; for he carries his shoes dangling at his belt, and his umbrella closed under his arm. Some of the more curious fellows follow after him. They see that, although it rains or the sun is very hot, Juan never opens his umbrella except when he sits to rest under a tree; and also that he never puts his shoes on when he is on dry land, but only when he is crossing a river. At last they ask him why he does such foolish things. Juan says, “Don’t you know that there are many worms and loose branches in a tree? If, for example, a snake should fall down, well, it would hit my umbrella. As for the shoes, it is better for one to wear his shoes when he crosses a river, for there he cannot see the ground.” The people leave him alone; but some persons think he is wise, and imitate his example.
Juan goes on with his travels. At last he falls in love. He serves the girl’s parents, and becomes their cook. He always keeps the best parts of the chicken for the girl and himself, and gives only the bones to the parents. They ask him why he gives them the worst parts. Juan replies, “I do that because you are our supporters. The bones, compared with a house, are the foundation and framework.” The parents find Juan’s reasoning so good, that they at once marry their daughter to him. After this Juan is a good and sensible fellow, and does not do foolish things any more.
Notes.
This long, loosely-constructed droll is not of any fixed length, according to the narrator; adventures are added or omitted at the caprice of the story-teller. It would be useless to attempt to parallel the tale as a whole, because of the very nature of its composition. The separate incidents, however, we may examine, pointing out analogues already in print, and citing others from my own manuscript collection.
(1) “If it smells bad, it’s dead.” This joke is common among the Tagalogs and Pampangans, and forms the basis of many of their comical stories. As an example I will give the opening of a story entitled “Ricardo and his Adventures” narrated by Paulo Macasaet, a Tagalog from Batangas:—
Ricardo and his Adventures.
Once there was a widow who had a son named Ricardo. One day the mother said to the boy, “Ricardo, I want you to go to school, so that you may learn something about our religion.” Ricardo was willing enough, so he took his Catechism and set out. Instead of going to the school, however, he went to a neighboring pond and listened to the merry croaking of the frogs. When eleven o’clock came, he went home and told his mother about the real school. The poor woman was very happy, thinking that her son was spending his time wisely. Ricardo took great delight in joining the chorus of the frogs, for his mother gave him food as a reward for his diligence.