Wedding Day
His name was Paul Watson and as he shambled down rue Pigalle he might have been any other Negro of enormous height and size. But as I have said, his name was Paul Watson. Passing him on the street, you might not have known or cared who he was, but any one of the residents about the great Montmartre district of Paris could have told you who he was as well as many interesting bits of his personal history.
He had come to Paris in the days before colored jazz bands were the style. Back home he had been a prize fighter. In the days when Joe Gans was in his glory Paul was following the ring, too. He didn’t have that fine way about him that Gans had and for that reason luck seemed to go against him. When he was in the ring he was like a mad bull, especially if his opponent was a white man. In those days there wasn’t any sympathy or nicety about the ring and so pretty soon all the ringmasters got down on Paul and he found it pretty hard to get a bout with anyone. Then it was that he worked his way across the Atlantic Ocean on a big liner—in the days before colored jazz bands were the style in Paris.
Things flowed along smoothly for the first few years with Paul’s working here and there in the unfrequented places of Paris. On the side he used to give boxing lessons to aspiring youths or gymnastic young women. At that time he was working so steadily that he had little chance to find out what was going on around Paris. Pretty soon, however, he grew to be known among the trainers and managers began to fix up bouts for him. After one or two successful bouts a little fame began to come into being for him. So it was that after one of the prize-fights, a colored fellow came to his dressing room to congratulate him on his success as well as invite him to go to Montmartre to meet “the boys.”
Paul had a way about him and seemed to get on with the colored fellows who lived in Montmartre and when the first Negro jazz band played in a tiny Parisian cafe Paul was among them playing the banjo. Those first years were without event so far as Paul was concerned. The members of that first band often say now that they wonder how it was that nothing happened during those first seven years, for it was generally known how great was Paul’s hatred for American white people. I suppose the tranquility in the light of what happened afterwards was due to the fact that the cafe in which they worked was one in which mostly French people drank and danced and then too, that was before there were so many Americans visiting Paris. However, everyone had heard Paul speak of his intense hatred of American white folks. It only took two Benedictines to make him start talking about what he would do to the first “Yank” that called him “nigger.” But the seven years came to an end and Paul Watson went to work in a larger cafe with a larger band, patronized almost solely by Americans.
I’ve heard almost every Negro in Montmartre tell about the night that a drunken Kentuckian came into the cafe where Paul was playing and said:
“Look heah, Bruther, what you all doin’ ovah heah?”
“None ya bizness. And looka here, I ain’t your brother, see?”
“Jack, do you heah that nigger talkin’ lak that tah me?”