Fig. 104.

Fig. 105.

Fig. 104 is easily recognized as a request or command to be silent, either on the occasion or on the subject. The mouth, supposed to be forcibly closed, prevents speaking, and the natural gesture, as might be supposed, is historically ancient, but the instance, frequently adduced from the attitude of the god Harpokrates, whose finger is on his lips, is an error. The Egyptian hieroglyphists, notably in the designation of Horus, their dawn-god, used the finger in or on the lips for “child.” It has been conjectured in the last instance that the gesture implied, not the mode of taking nourishment, but inability to speak—in-fans. This conjecture, however, was only made to explain the blunder of the Greeks, who saw in the hand placed connected with the mouth in the hieroglyph of Horus (the) son, “Hor-(p)-chrot,” the gesture familiar to themselves of a finger on the lips to express “silence,” and so, mistaking both the name and the characterization, invented the God of Silence, Harpokrates. A careful examination of all the linear hieroglyphs given by Champollion (Dictionnaire Égyptien) shows that the finger or the hand to the mouth of an adult (whose posture is always distinct from that of a child) is always in connection with the positive ideas of voice, mouth, speech, writing, eating, drinking, &c., and never with the negative idea of silence. The special character for child, Fig. 105, always has the above-mentioned part of the sign with reference to nourishment from the breast.

Fig. 106.

Fig. 106 is a forcible negation. The outer ends of the fingers united in a point under the chin are violently thrust forward. This is the rejection of an idea or proposition, the same conception being executed in several different modes by the North American Indians.

Fig. 107 signifies hunger, and is made by extending the thumb and index under the open mouth and turning them horizontally and vertically several times. The idea is emptiness and desire to be filled. It is also expressed by beating the ribs with the flat hands, to show that the sides meet or are weak for the want of something between them.