Fig. 195.

Fig. 195 is one of Landa’s characters, found in Rel. des choses de Yucatan p. 316, and suggests one of the gestures for talk and more especially that for sing, in which the extended and separated fingers are passed forward and slightly downward from the mouth—“many voices.” Although the last opinion about the bishop is unfavorable to the authenticity of his work, yet even if it were prepared by a Maya, under his supervision, the latter would probably have given him some genuine native conceptions, and among them gestures would be likely to occur.

Fig. 196.



Fig. 197. Fig. 198.

The natural sign for hear, made both by Indians and deaf-mutes, consisting in the motion of the index, or the index and thumb joined, in a straight line to the ear, is illustrated in the Ojibwa pictograph Fig. 196, “hearing ears,” and those of the same people, Figs. 197 and 198, the latter of which is a hearing serpent, and the former means “I hear, but your words are from a bad heart,” the hands being thrown out as in the final part of a gesture for bad heart, which is made by the hand being closed and held near the breast, with the back toward the breast, then as the arm is suddenly extended the hand is opened and the fingers separated from each other. (Mandan and Hidatsa I.) The final part of the gesture, representing the idea of bad, not connected with heart, is illustrated in [Fig. 236] on page 411.

The above Ojibwa pictographs are taken from Schoolcraft, loc. cit. I, plates 58, 53, 59.