(46) Raised up the hand in front of head and then arrested it a moment, palm outward, fingers extended, upward and forward—halt.
(47) Partially turning the body toward the north he lowered the extended hand, back forward, fingers joined and pointing downward toward the left of his feet and moved it closely in front of them, and with a cutting motion toward the right, following the movement with the eye—cut off right before feet, i.e., standing on the very edge.
(48) Still facing the north, he carried the hand, back upward, fingers joined and extended, from left side of body outward and toward the right horizontally, indicating the rippled surface of turbulent water by an appropriate motion, and extending the arm to full length, fingers pointing northeastward (toward the right) at termination of motion, and accompanied the movement with a corresponding turn of the head, eyes gazing far into distance—water all along the shore.
(49) Pushed the extended finger, back upward, forward (i.e., northward) in a slightly arched movement—across.
(50) Directing it toward an object (tree) at a distance of about one hundred yards the next moment—a distance of about one hundred yards.
(51) Repeated No. 49 (across) without interrupting the motion—that distance placed across.
(52) Motions as follows: Hands naturally relaxed, edges up and down, backs outward, are with a quick movement and simultaneously carried from the epigastrium forward and toward their sides, arms being extended from elbows only. The hands change their position during the movement and are ultimately placed palms upward, thumbs and fingers extended and widely separated, pointing forward. This is the general sign for doubt. He also turned the face from one side to the other as though interrogating his companions—what are we to do?
(53) Repeated No. 35 (hatchet).
(54) Raised up the finger perpendicularly, other fingers closed, thumb resting against second, and emphatically inclined it forward—only one.
(55) Elevated the arm from the elbow toward the head, hand naturally relaxed, back obliquely upward, inclining the face sideward with a look of consternation, simultaneously, and again mechanically lowered it, dropping palm of hand heavily upon the knee—“bad fix.”