In modern times the literature of angling has had scores of staunch and able supporters among the writers of Britain and our own land. Sir Humphry Davy’s “Salmonia”; Christopher North’s essays on angling, in “Noctes Ambrosianæ”; Stoddart’s Angling Songs; all these and a score of others are familiar to rodsters on both sides of the Atlantic. The clever poet and satirist, Tom Hood, discourses thus in praise of the gentle art:
“Of all sports ever sported, commend me to angling. It is the wisest, virtuousest, discreetest, best; the safest, cheapest, and in all likelihood the oldest of pastimes. It is a one-handed game that would have suited Adam himself; and it was the only one by which Noah could have amused himself in the ark. Hunting and shooting come in second and third. The common phrase, ‘fish, flesh and fowl,’ clearly hints at this order of precedence. * * * To refer to my own experience, I certainly became acquainted with the angling rod soon after the birchen one, and long before I had any practical knowledge of ‘Nimrod’ or ‘Ramroch’ The truth is, angling comes by nature. It is in the system, as the doctors say.”
It is no exaggeration to state that the real poetry of fly-fishing, as given in the grand old book of Nature, is appreciated to the fullest by American anglers. The breezy air of the forest leaves is found in the charming works of Bethune, of Herbert, Hawes, Norris, Dawson, Hallock and many other worthies, past and present. The modern Horace—he of the traditional white hat—never wrote a better essay than that descriptive of his early fishing days. The same is true of Rev. Henry Ward Beecher, and Charles Dudley Warner’s most graphic pen picture is his inimitable sketch, “A Fight with a Trout.” The number of really good books on American field sports is principally made up of angling works, a fact which goes far to establish the truth of Wm. T. Porter’s assertion, namely: “No man ever truly polished a book unless he were something of an angler, or at least loved the occupation. He who steals from the haunts of men into the green solitudes of Nature, by the banks of gliding, silvery streams, under the checkering lights of sun, leaf and cloud, may always hope to cast his lines, whether of the rod or the ‘record book,’ in pleasant places.”
This may be appropriately supplemented by the opinion, poetically expressed by the same author, with reference to the art of fishing with the artificial fly, thus: “Fly-fishing has been designated the royal and aristocratic branch of the angler’s craft, and unquestionably it is the most difficult, the most elegant, and to men of taste, by myriads of degrees the most pleasant and exciting mode of angling. To land a trout of three, four or five pounds weight, and sometimes heavier, with a hook almost invisible, with a gut line almost as delicate and beautiful as a single hair from the raven tresses of a mountain sylph, and with a rod not heavier than a tandem whip, is an achievement requiring no little presence of mind, united to consummate skill. If it be not so, and if it do not give you some very pretty palpitations of the heart in the performance, may we never, wet a line in Lake George, or raise a trout in the Susquehanna.”
Thomson, the much admired author of “The Seasons,” was in his youth a zealous angler, frequently casting his fly in the rippling waters of the Tweed, a trout-stream justly famous along the Scottish border. The poet has eulogized his favorite pastime of fly-fishing in the following elegant lines:
“Now, when the first foul torrent of the brooks,
Swell’d with the vernal rains, is ebb’d away;
And, whitening, down their mossy tinctur’d stream
Descends the billowy foam, now is the time,
While yet the dark brown water aids the guile