“Oh, very old, mum,” came the solemn reply.
At another place we were told that the bell swinging in the cot, and sounding sweetly after the long journey uphill, dated from the fourth century. It was useless to inform the poor soul that there were none but hand-bells then in North Wales, and that she was in this case only a little matter of one thousand years out of the way. After a mount up to Llangelynin, taken hastily, and much investigation of objects genuinely ancient, the woman who had us in thrall said, pointing to a dark recess under a narrow, fixed pew, black as darkness, and not more than one foot from the pew in front of it, “There’s a very old tablet there, mum, my son says.” Perhaps she had calculated the discrepancy between the width of the pew and myself; however, I got through to the floor, wiped off the dust with a handkerchief, and out blinked, as sleepily as if it were the very Rip Van Winkle of stones, the young date 1874! Wild steeple chases there were in plenty, with minor fatalities to limb and courage. It is useless, when one mountain-top has been achieved, to find that after all there is nothing left except the inconsiderable mountain itself,—it is useless then to discover upon an opposite summit, whose peak could be reached by a well-modulated voice, an extant church of indubitable antiquity, for to meet with that church would require an all-day’s walk. There was one steeple chase without even the comfort of another church in view.
Once reconciled to these surprises, for which no one can be held accountable, and to the ineffectiveness of the sextons whom no one must suppose responsible, there are no chances for disappointments except such as are self-created. The attendants in most cases are women, and wretched creatures some of them are. In one place a woman with a goitre, and one eye gone, kept the keys. She was admirably proud of her son because he did know something, but as the son spent all his days in a mine we were not in a way to inherit his wisdom. Another woman was deaf and dumb and foolish. A lad who took us through a church of considerable importance, if antiquity can make these deserted churches important, was so stupid he received a lecture upon his ignorance. His unanswerable sectarian reply was that he did not belong to that church anyway. We met with some smart young girls who, with their twenty years of wisdom, were above knowledge concerning anything so rusty and tumble-down as the church by means of which they hoped to win sixpences for ribbons. There were two or three apple-cheeked old women clad in caps and bobbing their curtsies. To one, a sweet old soul, I was explaining that a certain door could not be very ancient and have the big nails it had in it. “Uch,” she replied, in distress. “Well, indeed, mum, perhaps they were put in later to hold it together.” It may be said, I think, that the keys are kept as far away as possible, why I cannot say. So is the vicar kept as far away as possible: even the curates get the habit and stay away when they can. As a rule, the churches are not set down in the midst of habitable villages, but most often upon remote hillsides or hilltops. There is another difficulty to be encountered also, in the person of the kindly individual who could show you what you wish, but wishes to show you something else. One old woman—the Ancient Mariner himself could not have been more irresistible—detained us endlessly while she searched for and displayed the Duchess of Westminster’s photograph.
These are some of the troubles in a progress otherwise enchanting; once realized, it is well to forget them, together with the feet that were sometimes too weary to travel five miles further and the shoulder that ached under the strap. With its ache of all the ages the dream of ancient beauty has no place in it for an hour’s weariness. As if the riddle of existence could be explained by a wall rain-washed and worn, upon which grow lichen, moss, rustling grass, and even trees, and by lintels tipping earthward, golden flowers blowing upon them! The eye travels thirstily from stone to stone, or to some peaceful bell-cot pointing the bare ridge of a bleak, sheep-covered hill, or to the far-away hills and gray sky and solemn, dreary places. Spiritually it is easy to understand why these churches are on the hills, and the controversy about their position seems a matter of no further moment. There are other pictures, too, of churches by the sea, in the main not as old as those upon the mountains, enclosures where even the tombstones are crowded together in their last sleep. Beyond these churchyards lies the encircling shore with ever the white lip of the sea at its edge; above, low-lying regiments of clouds march Snowdon-wards. Upon one eminence is the church, upon another, nearer the water, a castle, and in the valley between these crumbling sanctities of power and spirit is the little town, busy still, its roofs making a joyous show of colour beneath the blue sky. Within these churches by the sea there is ever the tideless roar of the waters ringing upon the shores, and from these church doorways the eye dreams upon the castle wasting with the land at its feet, or the “llys” of King Mark, or upon the faint blue rim of some island, holy as the mother of good men. Along the road on one side is the sea; on the other, green hills rise into the blue of the sky, their slopes a mosaic of gray sheep walls. And here out of the village at the end of a grass-grown road, by the sea, lies a little church, around which the sands have blown through so many centuries that the windows show just the caps looking like sleepy eyes out of the huddled graves. One minute time rolls like a chariot wheel crushing all things, another moment and it is a mystic circle without beginning and without end. The graves upon the hillsides, young in their hundreds of years, look down upon the mounds of the British undisturbed in a millennial repose, and upon a stone lying as hands two thousand years ago placed it. And past the ears rush the centuries of all eternity, as in the travelling of a mighty wind.
Seeing with the eye of visions it is not hard to re-create a vanished past, to construct again the primitive British church of wood and wattle, with its beauty of oaken rafter and carved wood which stone now encloses. There is still an ancient wooden church in Greenstead, Essex, in plan much like little churches of North Wales,—the walls six feet high made of half trees side by side, the roof a tie beam, with struts, less than six feet from the floor. This parallelogram follows out the double square of what was undoubtedly the plan of the ancient British church, something that was still geometrically the square sanctuary with its square altar typifying the heavenly Jerusalem. Bede, in his “Ecclesiastical History,” speaks of “a church fit for an Episcopal See; which, however, after the manner of the Scots, he [Finan] did not erect of stone, but of sawn timber, covering it with reeds.” It is worth remembering that the little churches being discussed are unique examples of a national type based, not upon the Roman basilica, but upon the Temple, with its square Holy of Holies, and illustrating certain features; a square east end with east window, an altar concealed behind screens, and a south door instead of a western portal. The wood and wattle churches have disappeared, but upon the foundation lines have arisen the present stone churches of North Wales, dating back in general to the eleventh and twelfth centuries. Their walls of stone are daubed at the joints with mud, similar to the treatment the wattle buildings had received, and the whole whitewashed inside and out. The roof, later covered with oaken shingles and now with soft-coloured slates, was in the Middle Ages thatched deeply with reed or straw. At the east end was the small slit window, and at the south end a door so low that even a short person must stoop to enter it. Originally there were no bell turrets or porches, and at the eastern gable merely a wooden cross. Inside, a screen divided the building in half, the squints covered by veils, and several doors opening into the altar space. Probably the screen was decorated with painting as the barrel vaults came to be. Within and without, the sanctuary gleamed pure white. The Saxons learned the use of whitewash from the British, and St. Wilfrid gloried in having washed the York Minster of his day “whiter than snow.”
ST. WINIFRED’S WELL, HOLYHEAD
From an engraving by Cuitt, 1813
As the cottages, coloured white or yellow or pink, are seen nestling against the hills of Wales, one regrets that the church no longer receives as in olden days the same treatment. With the wash worn from the churches and never renewed, the country has lost in picturesque beauty. How pretty these buildings must have looked, with their steep thatched roofs and white bell-cots gleaming in the midst of dark yews, or perhaps some golden-tinted church glowing like a crocus in the midst of pines. Not only have the colours faded, as if the land were some bright missal turning gray, but the odd circular huts with their conical thatched roofs, in which the natives once lived, have tumbled down. In those days was a beautiful hospitality, the host and hostess serving until all were served, and in these rude dwellings the ancient harp was played; and from the wooden book, its revolving square crossbars inscribed with letters or notes of music, were read the ancient song and poetry of Wales. When the rectangular cottage came in it did not differ greatly from the circular hut. There were windows—“wind-eyes”—covered with a wooden lattice and shutter, the walls smoothly plastered, and the interior made less primitive by the use of three-legged tables and chairs. Still later, in the seventeenth and eighteenth centuries, the one space was divided off into kitchen, chamber, and loft, the kitchen open to the roof and airy, healthful, and clean. Hospitality was sacred then; any man might enter a dwelling, and delivering up his arms stay as long as he would.