It is human passion sublimated and refined to the uses of heaven, but human passion still—the very luxury of religion—the rapture of earth-born seraphs, as he sings with venturous exultation:
"The rich and roseal spring of those rare sweets,
Which with a swelling bosom there she meets,
Boundless and infinite, bottomless treasures
Of pure inebriating pleasures:
Happy proof she shall discover,
What joy, what bliss,
How many heavens at once it is,
To have a God become her lover!"
Mrs. M.R., whether maid or widow we know not—in Crashaw's day virgins were called Mistress—has another poem addressed to her—"Counsel concerning her choice." It alludes to some check or hindrance in love, and asks:
"Dear, heav'n-designed soul!
Amongst the rest
Of suitors that besiege your maiden breast,
Why may not I
My fortune try,
And venture to speak one good word,
Not for myself, alas! but for my dearer Lord?
Your first choice fails; oh, when you choose again,
May it not be among the sons of men!"
This is the language of devotional rapture common to the extremes of the religious world—Methodism and Roman Catholicism. Every one has heard the ardent hymn by Newton—"The Name of Jesus," and that stirring anthem, "The Coronation of Christ"—few have read the eloquent production of the canon of Loretto, a canticle from the flaming heart of Rome, addressed "To the name above every name, the name of Jesus."
"Pow'rs of my soul, be proud!
And speak loud
To all the dear-bought nations this redeeming name;
And in the wealth of one rich word proclaim
New smiles to nature.
Sweet name, in thy each syllable
A thousand blest Arabias dwell;
A thousand hills of frankincense,
Mountains of myrrh, and beds of spices,
And ten thousand paradises,
The soul that tastes thee takes from thence,
How many unknown worlds there are
Of comforts, which thou hast in keeping!
How many thousand mercies there
In Pity's soft lap lie asleeping!"