The question whether this country had not best be turned into a monarchy was seriously and very naturally mooted, in the earliest days of our national existence, but until this singular revelation was made, it was not known that such a positive offer, a very strange one, to say the least, had been made.

THE STAR SPANGLED BANNER.

The following description of the significance of the different parts of our national flag was written by a member of the committee appointed by the Continental Congress to design a flag for the young Republic:—

The stars of the new flag represent the new constellation of States rising in the West. The idea was taken from the constellation of Lyra, which in the land of Orpheus signifies harmony. The blue in the field was taken from the edges of the Covenanter’s banner, in Scotland, significant of the league-covenant of the United Colonies against oppression, incidentally involving the virtues of vigilance, perseverance and justice. The stars were disposed in a circle symbolizing the perpetuity of the Union; the ring, like the serpent of the Egyptians, signifying eternity. The thirteen stripes showed with the stars, the number of the United Colonies, and denoted the subordination of the States to the Union, as well as equality among themselves. The whole was the blending of the various flags of the army and the white ones of the floating batteries. The red color, which in Roman days was the signal of defiance, denoted daring; and the white purity.

THE FRENCH TRICOLOR.

The French tricolor, so far from being a revolutionary flag, is more ancient than the white flag, and was, in fact, the flag of the House of Bourbon. Clovis, when he marched through Tours to fight the Visigoths, adopted as his banner the scope of St. Martin, which was blue, and thus blue was, so to speak, the first French color. The oriflamme, which was the particular flag of the Abbey of St. Denis, and was red, became to a certain extent the national flag, when St. Denis came under the protection of the kings of France, the kings still preserving their blue flag studded with golden fleurs de lis. The white flag (which was also the banner of Joan of Arc) has in all countries, and through all times, been the sign of authority. And when Louis XIV. destroyed the functions of the colonels-general of the different corps that bore the white standard, the color became the emblem of Royal authority. Nevertheless, it is useless to dispute the fact that the tricolor took its rise as the badge of the National Guard at the French Revolution, and that it will be as difficult to separate it from the idea of revolution as to separate the white flag from the idea of legitimacy.

THE POLITICAL GAMUT.

In 1815 the French newspapers announced the departure of Bonaparte from Elba, his progress through France, and his entry; into Paris, in the following manner:—

March 9. The Anthropophagus has quitted his den.—March 10. The Corsican Ogre has landed at Cape Juan.—March 11. The Tiger has arrived at Gap.—March 12. The Monster slept at Grenoble.—March 13. The Tyrant has passed through Lyons.—March 14. The Usurper is directing his steps towards Dijon, but the brave and loyal Burgundians have risen en masse, and surrounded him on all sides.—March 18. Bonaparte is only sixty leagues from the capital; he has been fortunate enough to escape the hands of his pursuers.—March 19. Bonaparte is advancing with rapid steps, but he will never enter Paris.—March 20. Napoleon will, to-morrow, be under our ramparts.—March 21. The Emperor is at Fontainebleau.—March 22. His Imperial and Royal Majesty yesterday evening arrived at the Tuileries, amidst the joyful acclamations of his devoted and faithful subjects. 5 The Journal des Débats, in reference to the escape from Elba, spoke of Napoleon on the 9th of March, as “the Poltroon of 1814.” On the 15th it said to him, “Scourge of generations thou shall reign no more!” On the 16th he is “a Robespierre on horseback”; on the 19th, “the adventurer from Corsica”; but on the 21st, we are gravely told that “the EMPEROR has pursued his triumphal course, having found no other enemies than the miserable libels which were vainly scattered on his path to impede his progress.”

THE FLIGHT OF EUGENIE.