“Then go—and muse with deepest awe
On what the writer never saw;
Who would not wander ’neath the moon
To see what he could see at noon.”
BACK ACTION.
Alphonse Karr, in his Guêpes, speaking of the dexterities of the legal profession, relates a pleasant anecdote of the distinguished lawyer, afterward deputy, M. Chaix d’Est-Ange. He was employed in a case where both the parties were old men. Referring to his client, he said: “He has attained that age, when the mind, freed from the passions, and tyranny of the body, takes a higher flight, and soars in a purer and serener air.” Later in his speech, he found occasion to allude to the opposite party, of whom he remarked: “I do not deny his natural intelligence; but he has reached an age in which the mind participates in the enfeeblement, the decrepitude, and the degradation of the body.”
THE AUDITORIUMS OF THE LAST CENTURY.
When we read of Patrick Henry’s wonderful displays of eloquence, we naturally figure to ourselves a spacious interior and a great crowd of rapt listeners. But, in truth, those of his orations which quickened or changed the march of events, and the thrill of which has been felt in the nerves of four generations, were all delivered in small rooms and to few hearers, never more than one hundred and fifty. The first thought of the visitor to St. John’s Church in Richmond, is: Could it have been here, in this oaken chapel of fifty or sixty pews, that Patrick Henry delivered the greatest and best known of all his speeches? Was it here that he uttered those words of doom, so unexpected, so unwelcome, “We must fight”? Even here. And the words were spoken in a tone and manner worthy of the men to whom they were addressed—with quiet and profound solemnity.
TRUE FORM OF THE CROSS.
The ancient and ignominious punishment of crucifixion was abolished by the Roman Emperor Constantine the Great, who thought it indecent and irreligious that the Cross should be used for the putting to death of the vilest offenders, while he himself erected it as a trophy, and esteemed it the noblest ornament of his diadem and military standards. In consequence of his decree, crucifixion has scarcely been witnessed in Europe for the last 1500 years. Those painters, sculptors, poets and writers who have attempted to describe it have, therefore, followed their own imagination or vague tradition rather than the evidence of history. But they could hardly do otherwise, because the writings of the early fathers of the Church and of pagan historians were not generally accessible to them until after the revival of learning in the Fifteenth Century, and because the example of depicting the cross once given had been religiously followed by the earliest painters and sculptors, and universally accepted without question; and to object to the generally received form would have been deemed sacrilegious. These two reasons may have been sufficient to deter the great artists of the Sixteenth and Seventeenth Centuries from making any change; there may, however, have been a third, quite as potent (if not more so), and that is that the introduction of the lower projecting beam, astride of which the crucified person was seated, would have been both inartistic and indecent, yet this third piece was invariably used when the punishment was inflicted, except in the case where the sufferer was crucified with the head downward. The researches of two eminent scholars of the Seventeenth Century—Salmasius and Lipsius—have put it beyond a doubt that the cross consisted of a strong upright post, not much taller than a man of lofty stature, which was sharpened at the lower end, by which it was fixed into the ground, having a short bar or stake projecting from its middle, and a longer transverse beam firmly joined to the upright post near the top. The condemned person was made to carry his cross to the place of execution, after having been first whipped; he was then stripped of his clothing, and offered a cup of medicated wine, to impart firmness or alleviate pain. He was then made to sit astride the middle bar, and his limbs, having been bound with cords, the legs to the upright beam, the arms to the transverse, were finally secured by driving large iron spikes through the hands and feet. The cross was then fixed in its proper position, and the sufferer was left to die, not so much from pain (as is generally supposed) as from exhaustion, or heat, or cold, or hunger, or wild beasts, unless (as was usually the case) his sufferings were put an end to by burning, stoning, suffocation, breaking the bones, or piercing the vital organs. If left alone he generally survived two days or three, and there are cases recorded where the sufferer lingered till the fifth day before dying.