'Tis all a myth that Autumn grieves,
For, list the wind among the sheaves;
Far sweeter than the breath of May,
Or storied scents of old Cathay,
It blends the perfumes rare and good
Of spicy pine and hickory wood
And with a voice in gayest chime,
It prates of rifled mint and thyme.
Oh! scent the wind among the sheaves,
'Tis all a myth that Autumn grieves!
'Tis all a myth that Autumn grieves,
Behold the wondrous web she weaves!
By viewless hands her thread is spun
Of evening vapors shyly won.
Across the grass from side to side
A myriad unseen shuttles glide
Throughout the night, till on the height
Aurora leads the laggard light.
Behold the wondrous web she weaves,
'Tis all a myth that Autumn grieves!
Samuel Minturn Peck.
INTERLEAVES
On the Wing
Our "little brothers of the air," have you named them all without a gun, as Emerson asks in "Forbearance"? Shy, glancing eyes peer from nests half-hidden in leaves; the forest is vocal with melody, the air is tremulous with the whirr of tiny wings.
Poet-singers have written undying lines about their brother minstrels of the wood, and the "blithe lark," especially, has a proud place in poetry, apostrophized as he is by Shakespeare, Shelley, Frederick Tennyson, Wordsworth, and The Ettrick Shepherd.
As the skylark's note dies away we hear the saucy chatter of Cranch's Bobolink, the twitter of Keats's Goldfinches, the mournful cry of Celia Thaxter's Sandpiper, and the revolving wheel of Emily Dickinson's Humming-bird, with its resonance of emerald, its rush of cochineal. The feathered warblers, Robin, Bluebird, Swallow, speed their southern flight, but there are other songs of summer, voices of sweet and tiny cousins, heard at the lazy noontide; chirpings, rustlings of the green little vaulters in the sunny grass. And if the wee grasshoppers and those warm little housekeepers the crickets, have served as themes for Keats and Leigh Hunt, so has the humble bee provoked his tribute from the poets: