Victor Hugo was a son of the Revolution. He was born, as it were, between the two camps, at a moment when France was the theatre of the greatest popular struggle in modern history, of a mother who was a Breton and a Legitimist, and a father who was a Republican general—an extraordinary combination. This does not seem, however, to have made, as we might think, family life impossible, for Madame Hugo and her children followed the drum, and, notwithstanding all differences of opinion, found it possible to keep together. He was educated, it would appear, under his mother's influence rather than that of the soldier-father, and did not, till his mind was quite mature, throw himself into the revolutionary opinions which afterward influenced him so greatly. A Royalist in the Restoration period, an observant but not excited spectator of public affairs from 1830 to 1848, it was not till the coup d'état and the beginning of the reign of the third Napoleon that he was seized with the passion of political life. That great betrayal seems to have stung him to a frenzied resistance and put poison in his veins. His country was cheated and betrayed; the liberty for which she had made so many exertions, both heroic and fantastical, taken from her; and his own personal liberty and safety threatened. Victor Hugo's soul then burst into feu et flamme. He caught fire like a volcano long silent, a burning mountain that had simulated quiet unawares, and clothed itself with vineyards and villages. In the tranquil days when Louis-Philippe plotted and pottered, and France lay dormant, amusing her restrained spirit with the outbreak of the romantic against the classical, and taking pleasure in the burst of genius which had arisen suddenly and unawares in her midst, the poet was so little dissatisfied with the bourgeois régime that he accepted the title of "pair de France." Montalembert had received it some time before. There must have been something soothing, not inharmonious to the poetical mind, in the slumbrous reign which gradually became intolerable to the commonalty and got itself into contempt with all the world. The young poets of the time were peaceful, not discontented. Full of energy as they were, they took no part in the gathering storm. Hugo, a peer, tranquil in the superior chamber; young De Musset, a courtier of the Duke of Orleans, and hoping for the king's notice of his verses. The eruption was preparing, the subterranean fires alight; but the sons of genius took no notice. When the tremendous awakening came, it must, in the case of Hugo at least, have gained additional force from the long restraint. He was in the height of life, a man of forty-six, the leader of the romantic school, which by that time had overcome opposition and won the freedom for which it contended, the author of "Hernani" and the other great plays which form one of his chief titles to fame, and of volumes of lyrics which had taken the very heart of the French people, and given a new development to the language. And it was also during this peaceful period that he had taken in another direction a first step of unexampled power and brilliancy in the romance of "Notre Dame." Even among men of acknowledged genius, few have done so much in a lifetime as Victor Hugo had done up to this break in his career. We are so accustomed to the attitude of demagogue which he took afterward, to the violent revolutionary, the furious exile, the denunciatory prophet of the "Châtiments," that it is strange to realize that his later aspect was prefaced by a long, peaceful, and prosperous beginning. France had never seen a more magnificent band than that which surrounded him, and which has made the reign of the Roi-bourgeois illustrious in spite of itself; and it is curious to mark that these great intelligences did not object to their ruler nor to his ways, but lived like good citizens, with but an occasional fling at semi-sentimental politics. Hugo was the champion of abstract right in all the discussions in which he took part. He it was who proposed, among other things, that the Bonaparte family should be permitted to return to France. Perhaps, had he been less abstract and logical, and more moved by the laws of expediency, it might have been better both for France and for himself.
The plays which he produced in this time of prosperous calm and apparent peace are without question the most remarkable dramatic works of this century, and several of them will, we have no doubt, take their place permanently among the few of all ages and countries which the world will not willingly let die.
While these plays were being written, and the mind of their author reaching its full development, the fountains of pure poetry, those outbursts of song which are often the most delightful and dear of all the utterances of the poet, were flowing forth, refreshing and fertilizing French literature, and giving a noble utterance to the new thought and rising energy of the times. His youth gave forth some uncertain notes, his fancy roaming from Bourbon to Bonaparte. But that his imagination should have been seized by the recollection of the great Napoleon is so natural, so inevitable, one would suppose, for every young Frenchman, and especially for the son of a Bonapartist general, that there would have been something lacking in him had he escaped that enthusiasm. Apart from these waves of national sentiment, and from the vague music of the "Orientales" and other such preludes and symphonies, there is poetry enough in the various volumes which followed each other at uncertain intervals, to have fully furnished one man of genius with fame enough for what we call immortality. Hugo has enough and to spare for all subjects that occurred to him. A sunset, a landscape, a love song, alternate in his pages with a philosophical discussion, or a brief and brilliant scene snatched from history, from contemporary life, from his own inner existence, all clothed in the noblest verse of which the French language is capable. His power over that language is boundless, the wealth of an utterance which never pauses for a word, which disregards all rules yet glorifies them, which is ready for every suggestion, and finds nothing too terrible, nothing too tender for the tongue which, at his bidding, leaps into blazing eloquence, or rolls in clouds and thunder, or murmurs with the accent of a dove. Never had there been so great a gamut, a compass so extended.
It is not, however, upon his poetry, either in the form of drama, lyric, or narrative, that his fame out of France, or at least in England, is founded. There is no more usual deliverance of superficial criticism than that which declares French poetry in general to be either nought—which is still a not uncommon notion—or at least not great enough to be worth the study which alone could make it comprehensible. There are many good people who dare to say this, yet live, audacious, and unconscious of their folly. We have, however, to consider Victor Hugo on a ground which no one ventures to dispute. The great romances—for which we should like to invent another name—which we cannot call novels, and which are too majestic even for the title of romance, though that means something more than the corresponding word in English—are in their kind and period the greatest works produced in his time.[Back to Contents]
RALPH WALDO EMERSON
By Moncure D. Conway
(1803-1882)
On the 30th day of April, 1882, Ralph Waldo Emerson was "gathered to his fathers," at Concord, Mass. The simple Hebrew phrase was never more appropriate, for his ancestors had founded the town and been foremost at every period of its remarkable history. More than two hundred and fifty years ago John Eliot, who had gone from the University of Cambridge, England, to be the "Apostle of the Indians," found on the banks of the Musketaquid a settlement of natives, into whose language he translated the New Testament. In 1634, the Rev. Peter Bulkeley, of Bedfordshire, whose Puritan proclivities brought him under the ban of Laud, migrated with a number of his parishioners to New England; these settled themselves at Musketaquid, which they named Concord. In the next year went, from County Durham probably, Thomas Emerson, whose son married a Bulkeley, and his grandson Rebecca Waldo, descendant of a family of the Waldenses. It was at Concord that the soldiers of George III. first met with resistance. Along the road where many Englishmen have walked with Emerson and Hawthorne, the retreat took place, and wounded soldiers were taken into homes they had invaded to learn the meaning of love to enemies. Some of these brave men never again left the village where they were so kindly nursed. Concord, with its thirteen hundred inhabitants, supplied Washington's army with wood and hay, and suffering Boston with grain and money, with a generosity that shines in American annals. Washington's headquarters were at Craigie House, so long the home of Longfellow, and the Harvard buildings being used as barracks, the university was transferred to Concord.
No mere literary estimate of Emerson's writings can adequately report the man or his work. The value placed upon him by Americans appears strangely exaggerated beside the contemporary English criticism. It were, indeed, easy to cite from European thinkers—Carlyle, Quinet, John Sterling, Arthur Clough, Tyndall, Herman Grimm—words concerning Emerson glowing as those of Margaret Fuller, Hawthorne, Curtis, Lowell, and other American authors; but if such tributes from individual minds are universally felt in America alone, to be simplest truth and soberness, it is because Emerson cannot be seen detached from the cumulative tendencies summed up in him, and from the indefinable revolution in which they found, and still find, expression.
The father of Emerson was a Unitarian preacher of fine culture, melodious voice, handsome person, and especially noted for his paramount interest in the ethical and universal element of religion. He died in 1811, at the age of forty-two, leaving his five sons, of whom Waldo, then eight years old, was the second, to the care of his young wife, who had been Ruth Haskins, of Boston. Emerson's early growth was under the fostering care of good and refined women. His mother has been described by one who knew her, the late Dr. Frothingham, as "of a discerning spirit, and a most courteous bearing; one who knew how to guide the affairs of her own house, as long as she was responsible for that, with the sweetest authority. Both her mind and character were of a superior order, and they set their stamp upon manners of peculiar softness and natural grace and quiet dignity." She was assisted in bringing up her family by her sister-in-law, Mary Emerson, a scholarly woman, well read in theology and philosophy, whose original ideas and sayings marked her as "a character." Another woman who exercised a great influence upon him was Sarah Bradford, afterward married to his relative, Samuel Ripley. She was as thorough a Greek scholar as any person in America, a good mathematician, and a diligent student of science. Many a Harvard student has she coached in that Old Manse where she resided until her death (1867), and where the writer of this has often listened with admiration to her extraordinary conversation. At the same time nothing could have exceeded the practical wisdom and tact with which her household was regulated. "She was absolutely without pedantry," said Emerson. "Nobody ever heard of her learning until a necessity came for its use, and then nothing could be more simple than her solution of the problem proposed to her." At eleven years of age, when Emerson was in the Latin school at Boston, he used to send his translations, generally poetic, to Sarah Bradford for criticism. The "Fates" of Michael Angelo, a large copy of which hung in Emerson's study, must sometimes have softened to the faces of the Ruth and Mary and Sarah, who spun for him the fine golden thread of destiny. Mrs. Emerson had the happiness of seeing four of her sons distinguished for their ability; indeed, it seemed for a time doubtful whether William, Waldo, Edward, or Charles promised the more brilliant career. When the two elder had graduated at Harvard University, they taught at school in order to aid the two younger in completing their course; but these two died prematurely. William was to have been the preacher of the family, but, while pursuing his studies in Germany, he found that he could not honestly follow his father's profession—albeit Goethe, whom he knew, sought to persuade him otherwise. He afterward became an eminent lawyer. His mother's disappointment at this probably led to Emerson's adoption of the profession that his brother had declined. He graduated at eighteen, with a reputation for classical knowledge, general literary culture, and elocution. He had won the Boylston prize for "declamation," and was chosen by his class to deliver the usual poem at graduation. I have heard him say that it was then his ambition to become a teacher of elocution, and that he still regarded it as a less humble aspiration than it might seem. Those who have sat under the spell of Emerson's discourse would certainly never associate anything commonly called rhetoric with him; but I derived, from conversation with him, that his discontent with conventionalisms of thought first took this form of dissatisfaction with the conventional oratory. He thought there might be taught an art of putting things so that they could not be gainsaid. But a man must really hold that which he is to state successfully. He startled me by saying, "I believe that a really eloquent man, though an atheist, or whatever his opinions, would be listened to by any educated congregation in Boston." No one, he said, could discover the charm of Channing's preaching by reading his sermons; there was the heart that rose up to meet him: here was something sufficient, and the multitude went off radiant, fed, satisfied. But Emerson was to teach the new art of eloquence by example.