Mr. Garrick shone forth like a theatrical Newton; he threw new light on elocution and action; he banished ranting, bombast, and grimace; and restored nature, ease, simplicity, and genuine humor.
In 1742 he entered into stated agreements with Fleetwood, patentee of Drury Lane, for the annual income of £500. His fame continued to increase at the royal theatre, and soon became so extended that a deputation was sent from Ireland, to invite him to act in Dublin during the months of June, July, and August, upon very profitable conditions. These he embraced, and crossed the seas to the metropolis of Ireland in June, 1742, accompanied by Mrs. Woffington.
Garrick as Richard III.
His success at Dublin exceeded all imagination, though much was expected from him; he was caressed by all ranks of people as a prodigy of theatrical accomplishment. During the hottest days in the year the play-house was crowded with persons of fashion and rank, who were never tired with seeing and applauding the various essays of his skill.
The excessive heat became prejudicial to the frequenters of the theatre; and the epidemical distemper, which seized and carried off great numbers, was nicknamed the Garrick fever. Satisfied with the emoluments arising from the summer campaign, and delighted with the generous encouragement and kind countenance which the nobility and gentry of Ireland had given him, and of which he always spoke in the strongest terms of acknowledgment and gratitude, he set out for London, to renew his labors and to receive the applause of the most critical, as well as most candid, audience in Europe.
Such an actor as Garrick, whose name when announced in the play-bill operated like a charm and drew multitudes to the theatre, of consequence considerably augmented the profits of the patentee. But at the time when all without doors was apparently gay and splendid, and the theatre of Drury Lane seemed to be in the most flourishing condition, by the strange and absurd conduct of the manager the whole fabric was absolutely running into certain destruction.
His behavior brought on a revolt of the principal actors, with Mr. Garrick and Mr. Macklin at their head, and for some time they seceded from the theatre. They endeavored to procure a patent for a new theatre, but without success; and Garrick at length accommodated his dispute with the manager, Mr. Fleetwood, by engaging to play again for a salary of six or seven hundred pounds.
In 1744, Garrick made a second voyage to Dublin, and became joint-manager of the theatre there with Mr. Sheridan. They met with great success; and Garrick returned again to London, in May, 1746, having considerably added to his stock of money. In 1747 he became joint-patentee of Drury Lane Theatre with Mr. Lacy. Mr. Garrick and Mr. Lacy divided the business of the theatre in such a manner as not to encroach upon each other's province. Mr. Lacy took upon himself the care of the wardrobe, the scenes, and the economy of the household; while Garrick regulated the more important business of treating with authors, hiring actors, distributing parts in plays, superintending of rehearsals, etc. Besides the profits accruing from his half-share, he was allowed an income of £500 for his acting, and some particular emoluments for altering plays, farces, etc.