A cold, dreamy, white Christmas morning,—beautiful beyond expression.

From Edinburgh to the Antarctic—An Artist’s Notes and Sketches during the Dundee Antarctic Expedition of 1892-3 (London, 1894).

THE DESERT OF SAHARA

(AFRICA)

EUGENE FROMENTIN

The Saharans adore their country,[1] and, for my part, I should come very near justifying a sentiment so impassioned, especially when it is mingled with the attachment to one’s native soil.... It is a land without grace or softness, but it is severe, which is not an evil though its first effect is to make one serious—an effect that many people confound with weariness. A great land of hills expiring in a still greater flat land bathed in eternal light; empty and desolate enough, to give the idea of that surprising thing called the desert; with a sky almost always the same, silence, and on all sides a tranquil horizon. In the centre a kind of lost city, surrounded by solitude; then a little verdure, sandy islets, and, lastly, a few reefs of whitish calcareous stone or black schists on the margin of an expanse that resembles the sea;—in all this, but little variety, few accidents, few novelties, unless it be the sun that rises over the desert and sinks behind the hills, ever calm, rayless but devouring; or perhaps the banks of sand that have changed their place and form under the last wind from the South. Brief dawns, longer noons that are heavier than elsewhere, and scarcely any twilight; sometimes a sudden expansion of light and warmth with burning winds that momentarily give the landscape a menacing physiognomy and that may then produce crushing sensations; but more usually a radiant immobility, the somewhat mournful fixity of fine weather, in short, a kind of impassibility that seems to have fallen from the sky upon lifeless things and from them to have passed into human faces.

The first impression received from this ardent and inanimate picture, composed of sun, expanse, and solitude, is acute and cannot be compared with any other. However, little by little, the eye grows accustomed to the grandeur of the lines, the emptiness of the space, and the nakedness of the earth, and if one is still astonished at anything, it is at still remaining sensible to such slightly changing effects and at being so deeply stirred by what are in reality the most simple sights.

Here the sky is clear, arid, and unchanging; it comes in contact with fawn-coloured or white ground, and maintains a frank blue in its utmost extent; and when it puts on gold opposite the setting sun its base is violet and almost leaden-hued. I have not seen any beautiful mirages. Except during the sirocco, the horizon is always distinctly visible and detached from the sky; there is only a final streak of ash-blue which is vigorously defined in the morning, but in the middle of the day is somewhat confounded with the sky and seems to tremble in the fluidity of the atmosphere. Directly to the South, a great way off towards M’zab, an irregular line formed by groves of tamarinds is visible. A faint mirage, that is produced every day in this part of the desert, makes these groves appear nearer and larger; but the illusion is not very striking and one needs to be told in order to notice it.

Shortly after sunrise the whole country is rosy, a vivid rose, with depths of peach colour; the town is spotted with points of shadow, and some little white argils, scattered along the edge of the palms, gleam gaily enough in this mournful landscape which for a short moment of freshness seems to smile at the rising sun. In the air are vague sounds and a suggestion of singing that makes us understand that every country in the world has its joyous awakening.

Then, almost at the same moment every day, from the south we hear the approach of innumerable twitterings of birds. They are the gangas coming from the desert to drink at the springs.... It is then half-past six. One hour later and the same cries suddenly arise in the north; the same flocks pass over my head one by one, in the same numbers and order, and regain their desert plains. One might say that the morning is ended; and the sole smiling hour of the day has passed between the going and returning of the gangas. The landscape that was rose has already become dun; the town has far fewer little shadows; it greys as the sun gets higher; in proportion as it shines brighter the desert seems to darken; the hills alone remain rosy. If there was any wind it dies away; warm exhalations begin to spread in the air as if they were from the sands. Two hours later all movement ceases at once, and noontide commences.