The only rooms on the first story of the Rectangle which require a special description are the galleries and pavilions stretching from the Main Entrance Hall along the west front of the building. As has been said before, entrance to these is through two corridors, leading to the north and south. The corridors look out upon the interior courts; the floors are of mosaic, and the walls are painted in simple tones of color with pilasters of Vermont marble polished to a peculiarly soft and waxy surface. The ceiling is a succession of small domes in white and gold. In the centre of each is a large gilt rosette. Around it are hexagonal coffers, or panels ornamented with painted figures. The broad arches between are decorated with coffers and panels in relief, and, finally, the tympanums beneath the domes (one at either end of the corridor, and seven along the west wall) are occupied with panels representing, in the corridor to the south, which the visitor is now supposed to have entered, The Greek Heroes.
Mr. McEwen’s Paintings.—The series is the work of Mr. Walter McEwen. The special subjects are incidents, as related in Greek mythology, in the lives of the following heroes, taking the paintings in order from north to south: Paris, Jason, Bellerophon, Orpheus, Perseus, Prometheus, Theseus, Achilles, and Hercules.
Paris, son of Priam, King of Troy, was brought up as a shepherd on Mt. Ida. When a dispute arose among the three goddesses, Juno, Minerva and Venus, as to who should possess a golden apple inscribed “To the Fairest,” which Eris (Strife) had flung in the midst of an assembly of the deities, Paris was selected by Jupiter to decide their quarrel. He awarded the apple to Venus, who promised him the most beautiful woman in the world to be his bride. Hearing of the charms of Helen, wife of Menelaus, King of Sparta, Paris sailed to Greece, and by the aid of Venus carried her away to Troy—thus provoking the expedition of the Grecian chiefs, and the ten years’ siege of Troy. Mr. McEwen’s painting shows Paris at the court of Sparta, conversing with Menelaus, while Helen sits listening beside her husband.
CORRIDOR OF THE SPECIAL READING ROOMS.
Pelias, King of Iolchos in Thessaly, was warned by the oracle to beware of his nephew Jason. He therefore sent him in search of the Golden Fleece. This had belonged to a ram which had miraculously carried Phryxus and Helle, a brother and sister in danger of their lives through the cruelty of a stepmother, across the sea to Colchis. Here, when the ram died, Phryxus hung up its fleece in the grove of Mars, where it was guarded by a sleepless dragon. Jason accepted the quest, and is here shown inviting the Grecian heroes to join in the voyage which he is to make to Colchis in the ship Argo—to enroll themselves in the famous band of the “Argonauts.”
The third painting shows Bellerophon receiving from Minerva a golden bridle with which he may guide the winged horse, Pegasus. The hero had incurred the dislike of his kinsman, Proteus, King of Argos, who sent him with a sealed message to Iobates, King of Lycia. The message desired Iobates to cause Bellerophon to be slain. Being unwilling to do this directly, Iobates sent him to encounter the Chimæra, a horrible monster, part lion, part goat, and part serpent, which was devastating his domains, and which had overpowered all who had ventured to attack it. By the help of Minerva and the winged horse, Bellerophon was successful.
Orpheus, who charmed with his song the rocks, the trees, the wild beasts, and even the infernal powers, incurred the wrath of Bacchus, whose divinity he refused to worship. Bacchus therefore inflamed his priestesses, the Mœnads, or Bacchantes, against the poet, who was slain, as here represented by Mr. McEwen, in one of their orgies.
Perseus was the son of Jupiter and Danaë. Danaë’s father had heard that his daughter’s son would be the cause of his death. He therefore set the mother and child afloat in the sea in a chest, which was safely cast upon the island of Seriphos, the ruler of which was Polydectes. By the time Perseus had grown to manhood, Polydectes had fallen madly in love with Danaë, and, fearing lest Perseus should be a bar to his passion, he ordered him to cut off the head of the Gorgon Medusa, whose face turned to stone everyone who looked upon it. Assisted by Minerva, Perseus succeeded in his adventure. Returning to Seriphos he found Danaë persecuted by Polydectes, and, appearing at the palace of the king while he and his court were sitting at dinner, he drew the head of Medusa from his wallet and turned the whole company into stone.
