PLATE VIII.
INHIBITION AND REËNFORCEMENT
BY LOUIS A. TURLEY
Experiments made by Ranschburg[102] on the significance of similars in the process of learning and remembering determined that when duplicates occur within a series of stimuli, one either totally or very greatly inhibits the perception of the other according as they are contiguous or are separated by other stimuli. Dr. Yerkes,[103] in testing the effect of auditory on visual and tactual stimuli in frogs, found that if the auditory stimulus preceded another stimulus by various time-intervals, it had an alternating reënforcing and inhibitory effect. A similar result was obtained by Hofbauer[104] in a similar experiment on human subjects. The question now arises,—if the time-interval were increased between a stimulus and its duplicate in a series would the inhibitory effect gradually approach zero where all effect of the preceding stimulus ceased, to which Ranschburg's experiments point, or would the inhibitory effect be alternated with one of reënforcement as the experiments of Dr. Yerkes and Hofbauer would indicate? This problem—the effect of a stimulus on its duplicate in a succeeding series of stimuli—is the problem I undertook to solve. For this purpose, it was necessary to introduce exactly determinable time-intervals between the stimulus and its duplicate. Therefore I used—as Miss Kleinknecht[105] did for other purposes—a stroboscopic arrangement instead of simultaneous presentation which Ranschburg used.
My apparatus was Professor Münsterberg's Stereoscope without Prisms or Lenses, a description and photograph of which was published in the article by that title in Psychological Review, vol. 1; or rather, I used Professor Münsterberg's attachment to Kohl's centrifugal machine, since my apparatus was not identical, except in principle, with the "Stereoscope." The "attachment" consists of two black discs about thirty inches in diameter, mounted about eight inches apart on the disc-shaft of the centrifugal machine. The back disc is of wood. The outer three inches of its face is furnished with thirty-six equidistant strips of black tin, one end of each of which is bent so as to grip a groove in the rim of the disc, and the other end of each is gripped by tiny thumb-screws so that the strips lie along radii of the face of the disc. The front disc, slightly smaller than the back disc, is of pasteboard. Between the two discs a stationary black screen with a short narrow slit was placed so that the slit revealed only the strip on the horizontal radius of the back disc. Behind this screen an eight-candle-power electric light was placed to illuminate the back disc,—as the experiment was carried on in a darkened room. By moving this light I was enabled to vary the intensity of illumination to offset the skill of the observer.
For my purpose, a small white figure—one of the ten characters of the Arabic notation—was stuck on about the middle of each of the tin strips on the back disc; and radial slits, one millimetre wide and an inch long, were cut from one sixth of the circumference of the front disc so as to come opposite six of the strips on the back disc. Similar radial slits were cut at various intervals from the remaining five sixths of the circumference of the front disc. These were covered by small pieces of cardboard fastened to niagara clips, thus making them readily removeable. By this means any desired figure could be exposed in the same revolution with the series exposed by the six slits above mentioned.
The thirty-six strips were divided into six series of six each, indicated by chalk-marks on the disc. Each of the series was often changed in whole or in part by shifting and interchanging the strips.