SUBJECTIVE AND OBJECTIVE SIMULTANEITY
BY THOMAS H. HAINES
This investigation finds its starting-points in two widely separated lines of experimentation in the problems of attention. These two lines are the "scope-of-attention" experiment with the tachistoscope, and the "time-displacement" experiment with the pendulum apparatus. It seems to me these two can be brought into relation to each other to the help of each of them individually, and that an investigation taking these wide relations within its scope may reasonably be expected to throw new light upon the manner in which mental processes are related to each other when they are together in consciousness at the same time. The first of these experiments (tachistoscopic) is concerned with the number and relative clearness of the processes which go on at the same time. The second (displacement) is concerned with the conditions of the subjective displacement of one of two objectively simultaneous stimuli with reference to the other. Its problem is the essential psychological problem involved in the astronomer's error in transit observations by the eye-and-ear method, for the personal equation arising in these observations is more a matter of the reciprocal relations among the processes which are together in consciousness at the moment of observation than it is of mere reaction time. It is primarily more a matter of relative clearness, as controlled probably through interference of one with another, than it is of the more or less temperamental facility of converting ideas into action.
The psychological question at the heart of the observation-error, called the personal equation, is this,—What are the conditions which hinder such a division of attention among the parts of the complex operation of coördinating sense-stimulations, that the processes which start simultaneously may proceed to equal clearness at the same time, and so be perceived as simultaneous? The facts sought in order to answer this question are the very same as some of those, at least, demanded by the "scope-of-attention" investigation when it really opens up to its true problem. W. Wirth[108] has recently shown, in an exhaustive criticism of the tachistoscopic method, that "scope of attention" is primarily concerned with the relations of the processes present together, and that this demands a previous exhaustive study of their relative clearnesses. Earlier studies by the tachistoscopic method, as, for example those of Cattell[109] on the relatively short time for the perception of letters in words, as compared with that for separate letters, and the overlapping of processes in continuous reading, showed that the important question is, what are the processes which may go on at the same time. Leaving out a statement of the nature of the processes is equivalent to leaving out one of the dimensions when endeavoring to state the contents of a solid. The scope of attention can be defined adequately only when one knows fully what the separate processes are as well as how many there are. This analysis, which the scope-of-attention problem demands, cannot fail to be directly fruitful for the solution of the time-displacement problem. The analysis of this larger problem directly involves the former. Any attempt to investigate the time-displacement of sense-impressions from simultaneous stimuli must inevitably place the highest value upon the whole detailed analysis of any moment of attentive effort.
The present investigation, starting with the facts of time-displacement, and taking the hint offered by Gonnessiat,[110] attempts to show, by a more complete analysis, the effects of the various relations within each series,—the visual within which the sounds are to be placed, and the auditory series itself, and also relations existing between the two series. In other words, the attempt is made to strip the "displacement" experiment until nothing more remains to be coördinated than a single pair of simultaneous stimuli. This was the experiment of Exner.[111] He investigated the shortest discriminable interval marked off by various pairs of stimuli, addressed to the same sense and to different senses. From this coördination of a visual and an auditory stimulus, where the limits of the "specious present" are obtained, I make a turn into the realm of the scope of attention. By a new method, whereby impairment of accuracy of processes is made the test as to whether the processes have proceeded together, it is shown that two such perceptual processes can go on just about as well at the same time as separately. Since this test is subject to the objection that the visual and auditory processes may really be successive, though seemingly at the same time, owing to retinal inertia, the same question is removed to an entirely different plane in a further and more detailed set of experiments where the processes combined are judgments of comparison based upon one and the same visual sensation.
EXPERIMENTS IN TIME-DISPLACEMENT
The Leipsic Complication Experiment with the pendulum apparatus (for description of this see Wundt's Physiol. Psy., 5th ed., vol. 3, p. 82) was an early adaptation of the astronomers' eye-and-ear method to the purposes of psychological experimentation. Instead of localizing a visual stimulus (star on meridian) in an auditory series (clicks of a chronoscope) as in the eye-and-ear method, this adaptation localized an auditory stimulus (bell-stroke) in a visual series (successive positions of a pointer on a graduated circle). This pointer passed around to the right and to the left from the position of rest, in which it pointed vertically upward, as the pendulum, to which it was connected by clockwork, swung back and forth. By a simple adjustment the bell-stroke could be made to come at any point in the complete double swing of the pendulum, and so anywhere in the arc over which the pointer moved. This machine makes an additional problem as to the effects upon displacement of the increasing and decreasing speed. My aim being to simplify as much as possible the displacement-error and so reduce it to its elements, this feature was not only not of direct interest, but it was very desirable to dispense with it altogether. This was done by arranging the visual series so that the members were shown in perfectly regular order, i. e. with equal time-intervals, throughout the series. These equal intervals were secured by the rotation of a disc at a uniform rate.
My method also gave a more distinctly serial character to the visual stimuli, in that they were separated by blank periods. The series consisted of letters in alphabetical order. Denison's smallest white letters, about six millimetres in height, were pasted upon a disc of black cardboard, near the circumference and perpendicular to radii, so that they would appear in succession and right side up, to an observer looking through a slit at the peripheral region of the disc, as it rotated. The letters were placed in three concentric rows, so that as the disc rotated they appeared in three different places. The disc was 56.5 cm. in diameter. As a further aid in securing separate exhibitions of letters, another black disc of the same size as the one bearing the letters, with radial slits 2 mm. wide and cut in from the edge 4 cm., opposite each letter on the other disc, was mounted on the same shaft, six inches from the first, and between it and the observer. A short observation-tube was placed at the same height as the axis of the discs parallel to this axis, and opposite the slits when they were at this elevation. Looking through this, as the discs were rotated, one would see the letters right side up and in serial succession. Uniform illumination was secured by working in a dark room with artificial light. An electric lamp was hung between the discs. Uniform motion was secured by an automatic control gravity motor, connected by belt with a pulley on the disc-shaft.