As the green frog does not respond visibly to sounds under experimental conditions, I found it necessary to employ indirect methods in the study of audition. By observing the influence of sounds on respiration and on the reactions to certain electrical, tactual, and visual stimuli, I obtained results which, since they have already been described in detail elsewhere,[149] may be summarized here as follows:
1. Observation of frogs in their natural habitat shows that they are stimulated by sounds, but the sense of hearing apparently serves rather as a warning sense which modifies reactions to other simultaneous or succeeding stimuli than as a control for definite auditory motor reactions.
2. Experimental tests prove that sounds modify the frog's reactions to visual and tactual stimuli. When the sound accompanies the visual or tactual stimulus it serves to reënforce the reaction to the other stimulus, but when given alone it never causes a motor reaction.
3. The green frog responds to sounds made in the air, whether the tympana be in the air or in water. There is some evidence that the influence of auditory stimuli is most marked when the drum is half-submerged in water. The influence of sounds upon tactual reactions is evident when the frog is submerged in water to a depth of 4 cm.
4. Sounds varying in pitch from those of 50 to 10,000 vibrations per second affect the frog. The most striking results were obtained by the use of an electric bell with a metal gong. With this sound in connection with a weak tactual stimulus a maximum reaction may often be obtained even when either stimulus alone causes no perceivable reaction.
5. Sounds modify the reactions of the frog after tympana and columellæ are removed. Cutting of the eighth cranial nerves causes disappearance of the influence of sound. It is clear, then, that the reactions to sounds are really auditory reactions and that the sense of hearing in the frog is fairly well developed, although there is little evidence of such a sense in the motor reactions of the animal.
6. Experiments during the spring months show marked influence of sounds for both males and females, whereas experiments made during the winter indicate a much diminished sensitiveness to auditory stimuli in both sexes, but especially in the male.