Subject C usually found it difficult to find any decided feeling-tone for many of the stimuli used. This subject is rather reserved and undemonstrative as a rule. He is not at all musical, nor does he care for art. He is a rather cool but extremely careful observer, and is always guarded in his introspection.

Subject D is impulsive habitually, flashy, responsive, especially to any suggestion of an æsthetic nature, such as forms, and very decided as to his experiences. He walks with a quick nervous step, is sprightly always, vivacious in conversation and outspoken.

Subject E is rather non-emotional as he often says. He is very energetic, full of life, quick but not precise in all his movements, always on a tension, does not enjoy without effort anything so mild as the stimulations here used, and finds introspection of this affective nature difficult.

Subject F is careful, experienced in introspective work, musical, talks a great deal, enjoys this kind of work, has decided preferences, is athletic and energetic. This subject makes use of facial, arm, and shoulder gestures quite freely in general conversation.

Subject G has a penchant for talking a great deal, is decided in his likes and dislikes, musical, of an uneven temperament, sometimes cheerful, often cross, but always animated.

Subject H confesses he does not ever especially enjoy colors, nor respond with any sign of demonstration to any situations. He is steady, calm, apparently unruffled, and not an especially acute observer of his own states, proving in this experiment unusually undiscriminative as to simple experiences.

Subject I is rather morose, claiming to be habitually unmoved by even display of great passion or excitement. He finds it generally much easier to call up unpleasant than pleasant experiences, this being exceptional among the subjects. He is much slower than the average, and his feelings are not easily aroused. He is deliberative and confident as to his state of mind. He is nervous and often becomes fatigued before the hour's introspective work is over.

Subject J is nervous, of an uneven temperament, emotional, and quick to react to a situation of any kind, and, rather more than the others, subject to suggestion.

Subject K responds very quickly always, is habitually prompt and clear in statement, of an even temperament, and unusually interested in the experiment.

Subject L is unexperienced in this particular kind of work, but slow and careful. Though athletic, his movements are rather heavy. He is deliberate in speech and of an even, though rather undemonstrative temperament. He also is musical.