Brown.—Umber, burnt; terra di sienna, burnt.

Black mixed with yellow or red also makes brown.

Green.—Blue and yellow mixed.

Orange.—Red and yellow mixed.

Purple.—Red and blue mixed.

For each color have two cups, one for the color after grinding, the other to mix it with ox gall, which must be used to thin the colors at discretion. If too much gall is used, the colors will spread. When they keep their place on the surface of the trough, when moved with a quill, they are fit for use. All things in readiness, the colors are successively sprinkled on the surface of the mucilage in the trough with a brush, and are waved or drawn about with a quill or a stick, according to taste. When the design is just formed, the book, tied tightly between cutting boards of the same size, is lightly pressed with its edge on the surface of the liquid pattern, and then withdrawn and dried. The covers may be marbled in the same way, only letting the liquid colors run over them. In marbling paper the sides of the paper are gently applied to the colors in the trough. The film of color in the trough may be as thin as possible, and if any remains after the marbling it may be taken off by applying paper to it before you prepare for marbling again. To diversify the effects, colors are often mixed with a little sweet oil before sprinkling them on, by which means a light halo or circle appears around each spot.

Waterproof Papers.

I.—Wall papers may be easily rendered washable, either before or after they are hung, by preparing them in the following manner: Dissolve 2 parts of borax and 2 parts of shellac in 24 parts of water, and strain through a fine cloth. With a brush or a sponge apply this to the surface of the paper, and when it is dry, polish it to a nigh gloss with a soft brush. Thus treated the paper may be washed without fear of removing the colors or even smearing or blurring them.

II.—This is recommended for drawing paper. Any kind of paper is lightly primed with glue or a suitable binder, to which a finely powdered inorganic body, such as zinc white, chalk, lime, or heavy spar, as well as the desired coloring matter for the paper, are added. Next the paper thus treated is coated with soluble glass—silicate of potash or of soda—to which small amounts of magnesia have been admixed, or else it is dipped into this mixture, and dried for about 10 days in a temperature of 77° F. Paper thus prepared can be written or drawn upon with lead pencil, chalk, colored crayons, charcoal, India ink, and lithographic crayon, and the writing or drawing may be washed off 20 or more times, entirely or partly, without changing the paper materially. It offers the convenience that anything may be readily and quickly removed with a moist sponge and immediately corrected, since the washed places can be worked on again at once.

Wax Paper.