If a dynamo is not available for the production of a current, a Daniell’s battery is to be recommended, and the “tank” for a small operation may be a glass jar. The jar is crossed by copper rods in connection with the battery; the metal to be deposited is suspended from the rod in connection with the positive pole, and is called the anode. The articles to be coated are suspended by thin copper wires from the rod in connection with the negative pole; these form the cathode. The worker should bear in mind that it is very difficult to apply a thick coating of nickel without its peeling.

Replating With Battery.
Silver Plating.

Practically all of the plated articles are made by painting the design upon the glass or other surface by means of a mixture of powdered silver, a flux and a liquid to make the mixture in the form of a paint so that it may be readily spread over the surface. This design is then fired in a muffle until the flux melts and causes the silver to become firmly attached to the glass. A thin silver deposit is thus produced, which is a conductor of electricity, and upon which any thickness of silver deposit may be produced by electroplating in the usual cyanide silver-plating bath.

To be successful in securing a lasting deposit a suitable flux must be used. This flux must melt at a lower temperature than the glass upon which it is put, in order to prevent the softening of the articles by the necessary heat and the accompanying distortion. Second, a suitable muffle must be had for firing the glass articles upon which the design has been painted. Not only must a muffle be used in which the heat can be absolutely controlled, but one which allows the slow cooling of the articles. If this is not done they are apt to crack while cooling.

The manufacture of the flux is the most critical part of the silver deposit process. Without a good flux the operation will not be a success. This flux is frequently called an enamel or frit. After a series of experiments it was found that the most suitable flux is a borate of lead. This is easily prepared, fuses before the glass softens, and adheres tenaciously to the glass surface.

To make it, proceed as follows: Dissolve 1/4 pound of acetate of lead (sugar of lead) in 1 quart of water and heat to boiling. Dissolve 1/4 pound of borax in 1 quart of hot water and add to the sugar of lead solution. Borate of lead follows as a white precipitate. This is filtered out and washed until free from impurities. It is then dried.

The precipitated borate of lead is then melted in a porcelain or clay crucible. When in the melted condition it should be poured into a basin of cold water. This serves to granulate and render it easily pulverized. After it has been poured into water it is removed and dried. Before using in the paint it is necessary that this fused borate of lead be ground in a mortar as fine as possible. Unless this is done the deposit will not be smooth.

The silver to be used should be finely powdered silver, which can be purchased in the same manner as bronze powders.

The mixture used for painting the design upon the glass is composed of 2 parts of the powdered silver, and 1 part of the fused borate of lead. Place the parts in a mortar and add just enough oil of lavender to make the mass of a paint-like consistency. The whole is then ground with the pestle until it is as fine as possible. The amount of oil of lavender which is used must not be too great, as it will then be found that a thick layer cannot be obtained upon the glass.