From the days of Esther, Judith and Antigone to those of Florence Nightingale, women have shown every kind of courage that men have shown, faced every kind of peril that men have braved, divided with men the dangers and hardships of heroism but have never had an equal share of recognition and applause. So far as they are concerned this lack of equal public reward has been of small consequence; the best of them have not only not cared for it, but have shunned it. It is well to remember that the noblest heroes have never sought applause; and that popularity is much more dangerous to heroes than the foes they faced or the savage conditions they mastered in the splendid hour of daring achievement. Many heroes have been betrayed by popularity into vanity and folly and have lost at home the glory they won abroad. Heroic women have not cared for public recognition and do not need it; but it is of immense importance to society that the ideals of heroism should be high and true, and that the soldier and the explorer should not be placed above those whose achievements have been less dramatic, but of a finer quality. The women who have shown heroic courage, heroic patience, heroic purity and heroic devotion outrank the men whose deeds have had their inspiration in physical bravery, who have led splendid charges in full view of the world, who have achieved miracles of material construction in canal or railroad, or the reclaiming of barbarous lands to the uses of civilization. In a true scale of heroic living and doing women must be counted more heroic than men.

A writer of varied and brilliant talent and of a generous and gallant spirit was asked at a dinner table, one evening not many years ago, why no women appeared in his stories. He promptly replied that he admired pluck above all other qualities, that he was timid by nature and had won courage at the point of danger, and cared for it as the most splendid of manly qualities. There happened to be a woman present who bore the name of one of the most daring men of the time, and who knew army life intimately. She made no comment and offered no objection to the implication of the eminent writer's incautious statement; but presently she began, in a very quiet tone, to describe the incidents of her experience in army posts and on the march, and every body listened intently as she went on narrating story after story of the pluck and indifference to danger of women on the frontier posts and, in some instances, on the march. The eminent writer remained silent, but the moment the woman withdrew from the table he was eager to know who the teller of these stories of heroism was and how she had happened upon such remarkable experiences; and it was noted that a woman appeared in his next novel!

The stories in this volume have been collected from many sources in the endeavour to illustrate the wide range of heroism in the lives of brave and noble women, and with the hope that these records of splendid or quiet courage will open the eyes of young readers to the many forms which heroism wears, and furnish a more spiritual scale of heroic qualities.

Hamilton W. Mabie.


CONTENTS

CHAPTER PAGE
I.[Alcestis. Adapted from "Stories from the Greek Tragedians," by the Rev. Alfred J. Church]3
II.[Antigone. Adapted from "Stories from the Greek Tragedians," by the Rev. Alfred J. Church]18
III.[Iphigenia. Adapted from "Stories from the Greek Tragedians," by the Rev. Alfred J. Church]33
IV.[Paula. Written and adapted from "The Makers of Modern Rome," by Mrs. Oliphant, "Martyrs and Saints of the First Twelve Centuries," by Mrs. E. Rundle Charles, and other sources]43
V.[Joan of Arc. Adapted from "Joan of Arc, the Maid," by Janet Tuckey]57
VI.[Catherine Douglas. From the Poetical Works of Dante Gabriel Rossetti]101
VII.[Lady Jane Grey. Adapted from "Child-life and Girlhood of Remarkable Women," by W.H. Davenport Adams]132
VIII.[Pocahontas. Adapted from "Pocahontas," by Elizabeth Eggleston Seelye, assisted by Edward Eggleston]146
IX.[Flora Macdonald. Adapted from "The Heroines of Domestic Life," by Mrs. Octavius Freire Owen]174
X.[Madame Roland. Adapted from "Madame Roland," by John S.C. Abbott]190
XI.[Grace Darling. Written and adapted from various sources]230
XII.[Sister Dora. Adapted from "Virgin Saints and Martyrs," by S. Baring-Gould]241
XIII.[Florence Nightingale. Written and adapted from various sources]266