IV
One bright morning, upon his wheel, which turns to the rhythmic motion of his foot, Jean sets himself to model a vase, the vase which he has long seen with his mind’s eye.
The horizontal wheel turns like a sun to the rhythmic beating of his foot. The wheel turns. The clay vase rises, falls, swells, becomes crushed into a shapeless mass, to be born again under Jean’s hand. At last, with one single burst, it springs forth like an unlooked-for flower from an invisible stem.
It blooms triumphantly, and the old man bears it in his trembling hands to the carefully prepared furnace where fire must add to its beauty of form the illusive, decisive beauty of color.
All through the night Jean has kept up and carefully regulated the furnace-fire, that artisan of delicate gradations of color.
At dawn the work must be finished.
And the potter, old and dying, in his deserted field, raises toward the light of the rising sun the dainty form, born of himself, in which he longs to find, in perfect harmony, the dream of his long life.
In the form and tint of the frail little vase he has wished to fix for all time the ephemeral forms and colors of all the most beautiful things.
Oh, god of day! The miracle is accomplished. The sun lights the round and slender curves, the colorations infinitely refined, which blend harmoniously, and bring back to the soul of the aged man, by the pathway of his eyes, the sweetest joys of his youth, the skies of daybreak and the mournful violet waves of the sea beneath the setting sun.
Oh, miracle of art, in which life is thus epitomized to make joy eternal!