Jap Herron: A Novel Written from the Ouija Board

by Unknown

"You might say, 'at that moment the town marshal, wearing his star pinned to his blue flannel shirt, strolled in.' I have been away from the need of going up-stairs and down-stairs for so long that I forget about it."

"How do you get from one place to another, Mark?" I asked.

"Now, Emily, curiosity! But you know we haven't any Pullman cars or elevators here. When I want to be at a place where I am free to go—why, I am there."

He took occasion, when our difficulties seemed to be at an end and his grip on his "pencil" was once more firmly established, to make it very plain to me that I alone was responsible for the annoyance we had had. He put it thus:

"Things will be all right if you don't give way to any more curiosity. In the beginning I told you that it would not do. Emily wants to investigate too much. It must be one or all. Edwin and I understand. It was you that mixed the type. Lola must be passive. If she tries to watch for intruders, she gets in my way. So it is up to the Hannibal girl."

I do not know, even now, how I could have prevented the trouble that well-nigh wrecked our work. It is true I had taken part in another psychic demonstration, but it was in a remote part of the city and it had nothing to do with Mark Twain's "pencil." However, I took no further chance with psychic investigation.

When Jap Herron was elected Mayor of Bloomtown, and the girl he loved had walked right into his astonished arms, it seemed to us that the story must be ended. We had forgotten that Jap ever had a family of his own, a mother and two sisters, and when the drunken hag reeled into the Herald office we were as greatly horrified as Jap himself was. I had put my husband's carefully kept copy into type-written form, and it occurred to me to get the opinion of a master critic on the story, not as evidence of the survival of the human mind after physical death, but as pure fiction. Acting upon the impulse, and without telling either my husband or Mrs. Hays what I intended to do, I took the copy to William Marion Reedy,[[1]] permitting him to infer that I had created it, and asked him to tell me whether, in his judgment, the story was worth finishing. It was the beginning of the week, when the issuing of the Mirror consumed all his time, and while I was waiting for his verdict we received three more chapters. In the first of these we had a new light on Isabel Granger's character, and came for the first time absolutely to love Bill Bowers. After that nothing that Bill might do would shake our faith in his ability to make good in the end. He might be weak and foolish, but we understood why Jap believed in and loved him. We were jubilant when Rosy Raymond was eliminated from the game, for we feared, whenever we permitted ourselves to speculate, that Bill would marry her, and regret the step. We assumed that the son of the much-married Judge Bowers had inherited a nature sufficiently mobile to recover from the shock of the silly girl's perfidy.

While this unexpected development of the story was being revealed to us, William Marion Reedy sent me, in the envelope with the first ten chapters of "Jap Herron," a criticism that fairly made me tingle with delight. Had the work been my own, I could not have been more pleased with his unstinted praise. I wanted to go to him at once and confess the truth; but he was not in his office when I called.

Two of the succeeding chapters were taken down by friends who had been let into the secret of our work and had asked permission to sit with us. It was the time of year when my husband could seldom spare an evening from his work, and Mark consented to break into his beloved office-force arrangement, for the sake of expediency. Three men and five women served us in the capacity of amanuenses while the latter third of the book was being transmitted. The first deviation from our original arrangement came in connection with the dictation of the seventeenth chapter, the chapter that ends with the death of Flossy and her son. We were three sympathetic women, and when the planchette had traced the words, "It was a smile of heavenly beauty, as the pure soul of Ellis Hinton's wife flew to join her loved ones," we three burst simultaneously into violent weeping. I have never experienced more genuine grief at the grave of a departed friend or relative than I felt when this woman, who had come to be more than human to me, was released from her envelope of mortal clay.

The following day Mrs. Hays and I were invited to the home of a delightful little Scotch woman who asked us to bring the planchette board. She knew nothing of the story, and had no intimation of the personality on the other side who was sending it across, through our planchette; nevertheless she was willing to keep copy for us. The chapter she wrote down is the eighteenth in the finished story, Jap's funeral sermon and Isabel's song beside Flossy's coffin. Even now I cannot think of that scene without a swelling of the throat and a blinding rush of tears. It is needless to say we wept when the dictation was ended.