This brilliancy, this dazzling, meteoric imagination, made against his reputation in the earlier years of his career. The impression got abroad that he was simply fanciful and superficial—that he could paint his productions in the gorgeous imagery of poetry, but that he had no great intellectual strength and force. It took some time to dispel this illusion. It was only after the great breadth of his mind displayed itself in his powerful speeches in New York, Dallas, Tex., Augusta, Ga., and Boston, that the public began to see that, back behind his rich and brilliant imagination, there was a masterful intellect, able to comprehend the profoundest questions of social and political policy.

His development as an orator was indeed phenomenal. Nothing has ever been known like it since Sheridan quit play-writing to enter the English House of Commons, and delivered, according to the judgment of Fox and Burke, the most eloquent oration ever spoken to an English auditory. Grady’s whole preparation had been in the line of journalism. He had never practiced at the bar, in the forum, or on the hustings. Yet such was his genius, that, from the very moment he got before the American public, he leaped from the base to the very summit of oratorical fame.

His oratory was sué generis. Like all great men he had no prototype. There was nothing sonorous in his tones of voice—he had nothing of the declamatory pomp of Toombs, the stately periods of Hill, the slow, measured cadences of Stephens. Like Mark Antony he talked along; but such talk—as sweet as the harp of Orpheus whose melody swayed the trees of the forest and rent asunder the solid rocks. Like a fountain unsealed, his thought flowed forth in gushing opulence, and in every rhythmic period his soul voiced itself in perfect music. He could awake all the sleeping passions of the heart and set them astir with his own enthusiasm. Like a pendulum, he swung betwixt a smile and a tear, now convulsing all with his humor and anon melting all with his pathos.

Added to such brilliant gifts as a writer and a speaker, he had the genius of common sense. He could project a movement of great practical interest, and perfect and accomplish it with the same marvellous facility that he could indite a morning editorial. He saw in our uncut quarries the marble halls and palaces of the rich—in our mountains of ore the matchless steam engines and their tracks of steel along which our growing commerce was to be borne to the distant marts of the world—in our waving forests of pine, the cities of majestic splendor and beauty that were to adorn and enrich our vast domain. As Webster said of Hamilton, in reference to the public credit, he touched the dead corpse of our industries and they arose and stood upon their feet.

To all these gifts of head, there was an added heart of boundless sympathies. In his writings there is always an undertone of sentiment, bespeaking a moral nature as opulent as was his intellectual endowment. His imagination caught up the good, the beautiful and the true. With the alchemy of his genius he could transmute the simplest flower into a preacher of righteousness, and get from it some lessons of wisdom and truth. To lift up and crown humanity was the supremest aspiration of his life. This ruling passion was strong in death, and even in the delirium preceding dissolution, his brain was rife with its own desiring phantasies, and he died in the midst of dreams born of yearnings to help and bless the needy and the heavy laden.

Perhaps no one has lived among us who possessed more of the elements which go to make up the hero, the popular idol. Noble in presence, gracious in manner, gentle in spirit, manly in everything, he commanded not only the admiration but the love of all. If all who tenderly loved him could lay a garland upon his grave his ashes would rest beneath a mountain of flowers.

To die so wept and mourned were more to be desired than the glittering honors of splendid obsequies. To live, as he will live, embalmed in the immortality of love, is better far than enshrinement in the cold emblazonry of marble.

Loving hands and hearts will erect to his memory the granite shaft, cut and chiselled with words of eulogy, but his most enduring monument is his grand, historic life, standing out imperishably based upon the affections and the love of a grateful people, and pointing unborn generations to the same heights of purity and honor he so worthily attained.