ALLEGORY
The popularity of allegory, in the Middle Ages, as a means of conveying religious and moral truth, led to the production of many very complex narratives and sermons. An acquaintance with "Piers Plowman" will reveal the character of these works where the reader is soon lost in the labyrinth of abstract names. "The Romance of the Rose," translated by F. S. Ellis (Temple Classics, 3 vols., E. P. Dutton & Company, New York), is the most important example of secular allegory in the Middle Ages. "The Order of Chivalry," a poem that defines the symbolism of the knightly habit, will be found in Miss Butler's "Tales from the Old French," Houghton Mifflin Company, Boston, 1910, and also (as "Sir Hugh of Tabarie") in E. Mason's "Aucassin and Nicolette and Other Mediæval Romances" (Everyman's Library, E. P. Dutton & Company, New York, 1909).
For discussion of the origin and development of mediæval allegory, the reader should consult
Neilson, W. A. Origins and Sources of the Court of Love. See "Allegory" in the index. Ginn and Company, Boston, 1899.
Langlois, E. Origines et sources du Roman de la Rose, chap. iv. Paris, 1890.
Owen, D. Piers Plowman, A Comparison with French Allegories. Hodder and Stoughton, London, 1912.
"The Castle of Love"
This extract from a long and very complex poem illustrates significant aspects of mediæval religious allegory. The poem itself was written in French by Robert Grosseteste, Bishop of Lincoln (who died in 1253), and was translated into English several times because of its great popularity. Beginning with an account of the Creation and of the Fall of Man, the poet went on to tell a parable of a Being who had one Son, His equal in all ways, four daughters (named Mercy, Truth, Right, and Peace), and a thrall (named Adam), who was in prison. Mercy and Peace pleaded for the thrall's releases, but Truth and Right objected, so the thrall was punished. Mercy and Peace fled from the land, and the world (except Noah and his family) was drowned. Peace once more appealed for the ransom of the thrall, and the King's Son, hearing the dispute of the four sisters, said He would put on the garments of the thrall and force Peace and Right to be reconciled, and the world would be saved. So Christ entered into the Castle of Love, and was born on earth for the redemption of mankind. An account of the life and passion and resurrection of Christ is given, and the poem concludes with a prayer that we may all be led by Him to everlasting bliss.
The best edition of the English version is
Horstmann, C. "The Minor Poems of the Vernon Manuscript," Part I, Early English Text Society, No. 98. This edition contains a version made in the latter part of the thirteenth century, and also a version by a monk of Sawley, in Yorkshire. The present extract is taken from the Sawley monk's translation (ll. 361-452) because that version gives the allegory in more coherent and careful detail than do the other versions, which fail to explain some of the symbolism.