THE POPULAR NOVELIST AND CONTRIBUTOR.
ULIAN HAWTHORNE has inherited much of his father’s literary ability. His recent celebrity has been largely due to his success in portraying to the readers of popular magazines facts of world-wide interest like the famine in India, but to the special power of vivid statement which belongs to the newspaper reporter, he joins the imaginative power which enables him to recognize the materials of romance and the gift of clear and graceful expression. He is the son of Nathaniel Hawthorne, and was born in Boston in 1846. He traveled abroad with his parents, returning and entering Harvard in 1863. His college life seems to have been devoted more to athletics than to serious learning. He took up the study of civil engineering and went to Dresden to carry it on, but the Franco-Prussian war breaking out while he was visiting at home, he found employment as an engineer under General George B. McClellan in the department of docks in New York. He began soon after to write stories and sketches for the magazines, and losing his position in 1872, he determined to devote himself to literature. He now went abroad, living for several years, first in England and then in Dresden, and again in England, where he remained until 1881, and then after a short stay in Ireland, returned to New York. A number of his stories were published while he was abroad. Of these the most important were “Bressant” and “Idolatry.” For two years he was connected with the London “Spectator,” and he contributed to the “Contemporary Review” a series of sketches called “Saxon Studies,” which were afterwards published in book form. The novel “Garth” followed and collections of stories and novelettes entitled “The Laughing Mill;” “Archibald Malmaison;” “Ellice Quentin;” “Prince Saroni’s Wife;” and the “Yellow Cap” fairy stories. These were all published abroad, but a part of them were afterward reprinted in America. Later he published “Sebastian Strome;” “Fortune’s Fool,” and in 1884 “Dust” and “Noble Blood.” On his return to America he edited his father’s posthumous romance “Dr. Grimshaw’s Secret,” and prepared the biography of his father and mother. Since that time he has contributed a large number of stories and sketches to magazines. His most recent work has been an expedition to India to write for American periodicals an account of the famine in that country. One of our extracts is taken from this account and will very adequately illustrate his power of telling things so that his readers can see them with his eyes. Mr. [♦]Hawthorne’s activity does not abate and his friends and admirers expect from him even better work than he has yet done.
[♦] “Hawthrone’s” replaced with “Hawthorne’s”
THE WAYSIDE AND THE WAR.[¹]
(FROM “NATHANIEL HAWTHORNE AND HIS WIFE.”)
[¹] Copyright, Ticknor & Co.
T was a hot day towards the close of June, 1860, when Hawthorne alighted from a train at Concord station, and drove up in the railway wagon to the Wayside. The fields looked brown, the trees were dusty, and the sun white and brilliant. At certain seasons in Concord the heat stagnates and simmers, until it seems as if nothing but a grasshopper could live. The water in the river is so warm that to bathe in it is merely to exchange one kind of heat for another. The very shadow of the trees is torrid; and I have known the thermometer to touch 112° in the shade. No breeze stirs throughout the long sultry day; and the feverish nights bring mosquitoes, but no relief. To come from the salt freshness of the Atlantic into this living oven is a startling change, especially when one has his memory full of cool, green England. Such was America’s first greeting to Hawthorne, on his return from a seven years’ absence; it was to this that he had looked forward so lovingly and so long. As he passed one little wooden house after another, with their white clap boards and their green blinds, perhaps he found his thoughts not quite so cloudless as the sky. It is dangerous to have a home; too much is required of it.