THE DEMOSTHENES OF AMERICA.
O MORE majestic figure in the anti-slavery struggle for thirty years—1835 to 1865—appeared on the American rostrum than the “silvery tongued orator,” Wendell Phillips.
In 1830, William Lloyd Garrison wrote in the “Liberator,”—a journal founded primarily by the abolitionists for the sole purpose of freeing the slaves—“I will be as harsh as truth and as uncompromising as justice. I am in earnest; I will not equivocate; I will not excuse; I will not retreat a single inch, and I will be heard.” But the abolitionists remained many years a small and despised faction, and, with all of Garrison’s determination, might never have amounted to anything had he not enlisted in his cause such men and masters as Wendell Phillips on the platform, Henry Ward Beecher in the pulpit, Charles Sumner in the United States Senate, and Harriet Beecher Stowe among novelists. It was a great day of promise when such educated talent caught the spirit of Garrison’s zeal.
In 1835, an angry pro-slavery mob dragged William Lloyd Garrison through the streets of Boston. A young man of twenty-four witnessed this cruel treatment and determined to abandon the practice of law and devote his life to the same cause. That man was Wendell Phillips. He first came into prominence by his impassioned address in Faneuil Hall, Boston, in 1837, at an indignation meeting called to condemn the killing of Lovejoy, at Alton, Illinois, while defending his anti-slavery newspaper office against a pro-slavery mob. The direct and impassioned eloquence of the orator on this occasion was the key-note to the forward movement toward the liberation of the black man. It was the bugle-blast which cheered the pioneers in the movement, and awoke the slumbering spirits in sympathy with it, but whose timid hopes had not dared to dream of its possible ultimate success.
As Demosthenes aroused and fired the Athenians, so Phillips’ appeals carried like an avalanche everything before them. The only way to prevent his influence was to prevent his speaking, and accordingly when he went to New York in 1847, there was such a prejudice against the abolitionists, and such a predominant pro-slavery sentiment, that he could not procure a hall in either of these cities in which to speak. Finally, Henry Ward Beecher, who had recently become pastor of Plymouth Church, prevailed upon his congregation to allow Phillips to address the people from their pulpit.
From this memorable occasion Beecher, himself, it is said, became a flaming torch, second only to Phillips in his efforts in the same cause, while Plymouth Congregation seconded him with all its mighty influence, a further account of which may be found under the treatment of Henry Ward Beecher in this volume.
Wendell Phillips was born in Boston, Massachusetts, on the 29th day of November, 1811, and died there February 2, 1884. His parents were prominent in Boston society, his father at one time being Mayor of the city. Phillips was educated at Harvard College, graduating in 1831, after which he studied law at Cambridge and was admitted to the bar in 1833; but his gift as an orator, in which he is regarded as second only to Daniel Webster, and his overmastering zeal in the abolitionist movement, required so much of his time that he did little practice before the court. He was a most fascinating platform speaker outside of politics, and was in constant demand as a lecturer. His most celebrated addresses were “Toussaint l’Ouverture” and “The Lost Arts,” the former being used as an argument of the native ability, intelligence, and possibility of progress on the part of the negro under proper opportunities.
The eloquence of Phillips was impassioned and direct, but his manner was so pleasingly polished as not to give personal offence to his most antagonistic hearers, while his English was singularly pure and simple, and his delivery was characterized by a nervous sympathy that was peculiarly magnetic.
Like most other great orators, Wendell Phillips has left behind him in literature only his public speeches and letters. One volume of these was published in Boston in 1862, another (largely a revision of the first, with additions to the same) in 1869.