AUTHOR OF “BETSY AND I ARE OUT.”
EW writers of homely verse have been more esteemed than Will Carleton. His poems are to be found in almost every book of selections for popular reading. They are well adapted to recitation and are favorites with general audiences. With few exceptions they are portraitures of the humorous side of rural life and frontier scenes; but they are executed with a vividness and truth to nature that does credit to the author and insures their preservation as faithful portraits of social conditions and frontier scenes and provincialisms which the advance of education is fast relegating to the past.
Will Carleton was born in Hudson, Michigan, October 21, 1845. His father was a pioneer settler who came from New Hampshire. Young Carleton remained at home on the farm until he was sixteen years of age, attending the district school in the winters and working on the farm during the summers. At the age of sixteen he became a teacher in a country school and for the next four years divided his time between teaching, attending school and working as a farm-hand, during which time he also contributed articles in both prose and verse to local papers. In 1865 he entered Hillsdale College, Michigan, from which he graduated in 1869. Since 1870 he has been engaged in journalistic and literary work and has also lectured frequently in the West. It was during his early experiences as a teacher in “boarding round” that he doubtless gathered the incidents which are so graphically detailed in his poems.
There is a homely pathos seldom equalled in the two selections “Betsy and I Are Out” and “How Betsy and I Made Up” that have gained for them a permanent place in the affections of the reading public. In other of his poems, like “Makin’ an Editor Outen Him,” “A Lightning Rod Dispenser,” “The Christmas Baby,” etc., there is a rich vein of humor that has given them an enduring popularity. “The First Settler’s Story” is a most graphic picture of pioneer life, portraying the hardships which early settlers frequently endured and in which the depressing homesickness often felt for the scenes of their childhood and the far-away East is pathetically told.
Mr. Carleton’s first volume of poems appeared in 1871, and was printed for private distribution. “Betsy and I Are Out” appeared in 1872 in the “Toledo Blade.” It was copied in “Harper’s Weekly,” and illustrated. This was really the author’s first recognition in literary circles. In 1873 appeared a collection of his poems entitled “Farm Ballads,” including the now famous selections, “Out of the Old House, Nancy,” “Over the Hills to the Poorhouse,” “Gone With a Handsomer Man,” and “How Betsy and I Made Up.” Other well-known volumes by the same author are entitled “Farm Legends,” “Young Folk’s Centennial Rhymes,” “Farm Festivals,” and “City Ballads.”
In his preface to the first volume of his poems Mr. Carleton modestly apologizes for whatever imperfections they may possess in a manner which gives us some insight into his literary methods. “These poems,” he writes, “have been written under various, and in some cases difficult, conditions: in the open air, with team afield; in the student’s den, with ghosts of unfinished lessons hovering gloomily about; amid the rush and roar of railroad travel, which trains of thought are not prone to follow; and in the editor’s sanctum, where the dainty feet of the muses do not often deign to tread.”
But Mr. Carleton does not need to apologize. He has the true poetic instinct. His descriptions are vivid, and as a narrative versifier he has been excelled by few, if indeed any depicter of Western farm life.
Will Carleton has also written considerable prose, which has been collected and published in book form, but it is his poetical works which have entitled him to public esteem, and it is for these that he will be longest remembered in literature.