But even this earnest life of religious devotion and sacrifice was interspersed with attempts at literary work and he wrote a critical essay on “Beranger and his Songs” while he was trying to evangelize the red-shirted lumbermen of St. Croix. It was in such life and amid such experiences that Eggleston gained his keen knowledge of human nature which has been the delight and charm of his books.
He began his literary career as associate editor of the “Little Corporal” at Evanston, Illinois, in 1866, and in 1870 he rose to the position of literary editor of the New York “Independent,” of which he was for a time superintending editor. For five years, from 1874 to 1879, he was pastor of the Church of Christian Endeavor in Brooklyn, but failing health compelled him to retire, and he made his home at “Owl’s Nest,” on Lake George, where he has since devoted himself to literary work.
His novels depict the rural life of Southern Indiana, and his own judgment upon them is as follows: “I should say that what distinguishes my novels from other works of fiction is the prominence which they give to social conditions; that the individual characters are here treated to a greater degree than elsewhere as parts of a study of a society, as in some sense the logical result of the environment. Whatever may be the rank assigned to these stories as works of literary art, they will always have a certain value as materials for the student of social history.”
His chief novels and stories are the following: “Mr. Blake’s Walking Stick” (Chicago, 1869); “The Hoosier School-master” (New York, 1871); “End of the World” (1872); “The Mystery of Metropolisville” (1873); “The Circuit Rider” (1874); “School-master’s Stories for Boys and Girls” (1874); and “The Hoosier School-boy” (1883). He has written in connection with his daughter an interesting series of biographical tales of famous American Indians, and during these later years of his life he has largely devoted himself to historical work which has had an attraction for him all his life.
In his historical work as in his novels he is especially occupied with the evolution of society. His interest runs in the line of unfolding the history of life and development rather than in giving mere facts of political history.
His chief works in this department are: “Household History of the United States and its People” (New York, 1893); and “The Beginners of a Nation” (New York, 1897).
Though possessed of a weak and ailing body and always on the verge of invalidism, he has done the work of a strong man. He has always preserved his deep and earnest religious and moral tone, but he has woven with it a joyous and genuine humor which has warmed the hearts of his many readers.
SPELLING DOWN THE MASTER.[¹]
(FROM “THE HOOSIER SCHOOLMASTER.”)
(ORANGE JUDD CO., PUBLISHERS.)