she nevertheless manages language with an ease and elegance and that refined felicity of expression, which is the principal charm in poetry. In blank verse she is very successful. The poems that she has written in this measure have much of the manner of Wordsworth, and may be nearly or quite as highly relished by his admirers.”

[♦] ‘fifty-eight’ replaced with ‘forty-eight’

To the above eminent critical estimate of Mrs. Sigourney’s writings it is unnecessary to add further comment. The justice of the praise bestowed upon her is evinced by the fact that she has acquired a wider and more pervading reputation than many of her more modern sisters in the realm of poesy, but it is evident that, of late years, her poetry has not enjoyed the popular favor which it had prior to 1860.

Lydia Huntley was the only child of her parents, and was born at Norwich, Connecticut, September 1st, 1791. Her father was a man of worth and benevolence and had served in the revolutionary struggle which brought about the independence of America. Of the precocity of the child Duyckinck says: “She could read fluently at the age of three and composed simple verses at seven, smooth in rhythm and of an invariable religious sentiment.” Her girlhood life was quiet and uneventful. She received the best educational advantages which her neighborhood and the society of Madam Lathrop, the widow of Dr. Daniel Lathrop, of Hartford, could bestow. In 1814, when twenty-three years of age, Miss Huntley was induced to take a select school at Hartford, and removed to that city, where the next year, in 1815, her first book, “Moral Pieces in Prose and Verse,” was published. The prose essays are introduced by the remark: “They are addressed to a number of young ladies under my care,” and the writer throughout the volume seems to have had her vocation as a teacher in view. In the summer of 1819 Miss Huntley became the wife of Mr. Charles Sigourney, an educated gentleman and a merchant of Hartford. In 1822 a historical poem in five cantos, entitled “Traits of the Aborigines,” was published, and about the same time a London publisher made a miscellaneous collection of her verses and published them under the title of “Lays from the West,” a compliment of no small moment to an American poetess. Subsequent volumes came in rapid succession, among them being “Sketch of Connecticut Forty Years Since,” “Letters to Young Ladies” and “Letters to Mothers,” “Poetry for Children,” “Zinzendorf and Other Poems,” the last named appearing in 1836. It introduces us to the beautiful valley of Wyoming, paying an eloquent tribute to its scenery and historic fame, and especially to the missionary Zinzendorf, a noble self-sacrificing missionary among the Indians of the Wyoming Valley. The picture is a very vivid one. The poem closes with the departure of Zinzendorf from the then infant city of Philadelphia, extols him for his missionary labor, and utters a stirring exhortation to Christian union. In 1841 “Pocahontas and Other Poems” was issued by a New York publisher. Pocahontas is one of her longest and most successful productions, containing fifty-six stanzas of nine lines each, opening with a picture of the vague and shadowy repose of nature as her imagination conceived it in the condition of the new world prior to its discovery. The landing at Jamestown and the subsequent events that go to make up the thrilling story of Pocahontas follow in detail. This is said to be the best of the many poetical compositions of which the famous daughter of Powhatan has been the subject.

In 1840 Mrs. Sigourney made a tour of Europe, and on her return in 1842 published a volume of recollections in prose and poetry of famous and picturesque scenes and hospitalities received. The title of the book was “Pleasant Memories of Pleasant Lands.” During her stay in Europe there were also published two volumes of her works in London, and tokens of kindness and esteem greeted the author from various distinguished sources. Among others was a splendid diamond bracelet from the Queen of France. Other volumes of her works appeared in 1846 and 1848. Prominent among the last works of her life was “The Faded Hope,” a touching and beautiful memento of her severe [♦]bereavement in the death of her only son, which occurred in 1850. “Past Meridian” is also a graceful volume of prose sketches.

[♦] ‘bereavment’ replaced with ‘bereavement’

Mrs. Sigourney died at Hartford, Connecticut, June 10, 1865, when seventy-three years of age.


COLUMBUS.